- BPM
- 146
- Key
- C Major
- Camelot
- 8B
The Short-Tempered Clavier: VI. E-Flat Major by P.D.Q.Bach, Christopher O'Riley Song Details
"The Short-Tempered Clavier: VI. E-Flat Major" by P.D.Q.Bach, Christopher O'Riley had its release date on August 1, 1995. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. The Short-Tempered Clavier: VI. E-Flat Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "PDQ Bach: The Short-Tempered Clavier and Other Dysfunctional Works for Keyboard". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, The Short-Tempered Clavier: VI. E-Flat Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With The Short-Tempered Clavier: VI. E-Flat Major by P.D.Q.Bach, Christopher O'Riley having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -24.136 dB
- Acousticness
- 98%
- Danceability
- 21%
- Energy
- 3%
- Instrumentalness
- 91%
- Liveness
- 58%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The River | World Of Woe | F♯ Major | 1 | 2B | 96 BPM | |
 | Mozart - Serenade K361 "Gran Partita" for 13 wind instruments: Romanze: Adagio - Allegretto - Adagio | Wolfgang Amadeus Mozart, London Winds, Michael Collins | E♭ Major | 0 | 5B | 132 BPM | |
 | Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | |
 | Tuba Concerto: I. Allegro moderato | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | F Major | 1 | 7B | 117 BPM | |
 | Billy the Kid: No. 10, Billy's Funeral | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 0 | 10B | 92 BPM | |
 | Wood Notes: II. Autumn Night: Lightly | William Grant Still, Fort Smith Symphony, John Jeter | D Minor | 0 | 7A | 65 BPM | |
 | Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | |
 | "Safe" Sextet | Peter Schickele, Mary Kay Fink, Felix Kraus, Linnea Nereim, Stanley Maret, Laura Okuniewski, Joela Jones | E Major | 3 | 12B | 118 BPM | |
 | Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | |
 | Gladiura | Radoslaw Pallarz, Dirk Altmann, Hanno Donneweg | C Minor | 1 | 5A | 112 BPM | |
 | Sinfonietta for Orchestra: III. Allegro - Live | Maya Badian, Brasov State Philharmonic Orchestra | F Major | 4 | 7B | 135 BPM | |
 | Horn Concerto in B flat, Op. 91: 1. Allegro | Reinhold Glière, Hermann Baumann, Gewandhausorchester, Kurt Masur | B♭ Major | 0 | 6B | 134 BPM | |
 | Lonesome Road Blues - Bluegrass version | The Royal Wind Music | F♯ Major | 1 | 2B | 145 BPM | |
 | Bassoon Concerto in F Major, Op. 75, J. 127: III. Rondo. Allegro | Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | F Major | 1 | 7B | 129 BPM | |
 | Dukas: Villanelle | Paul Dukas, Dennis Brain, Gerald Moore | C Major | 0 | 8B | 69 BPM | |
| Rodeo: No. 2, Corral Nocturne | Aaron Copland, Colorado Symphony, Andrew Litton | C Major | 0 | 8B | 129 BPM | |
 | Grand Serenade for an Awful Lot of Winds & Percussion, S. 1000: III. Romance in the Grand Manner | P.D.Q.Bach, Peter Schickele, Turtle Mountain Naval Base Tactical Wind Ensemble | E♭ Major | 0 | 5B | 144 BPM | |
 | Scaramouche, Op. 165c: II. Modéré | Darius Milhaud, Sohre Rahbari, Brussels Philharmonic, Ali Rahbari | F Major | 4 | 7B | 135 BPM | |
 | Trombone Concerto: II. Quasi una leggenda: Andante grave (1st Version) | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | D♭ Major | 0 | 3B | 120 BPM | |
 | 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | |
 | The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 2 | 8B | 115 BPM | |
 | Painting III: Claude | Aurelio Scotto | F♯ Major | 2 | 2B | 119 BPM | |
 | Winter Bonfire - Suite, Op.122: 1. Departure - Live In Australia, 2016 | Sergei Prokofiev, Benjamin Northey, Melbourne Symphony Orchestra | G Major | 3 | 9B | 98 BPM | |
 | Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | |
 | Toccata | Johann Sebastian Bach, Symphonica Orchestra, Leopold Stokowski | D Major | 2 | 10B | 130 BPM |
- ISRC
- USTE10307390
- Label
- L-M Records/RCA Records