Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp's 'Bassoon Concerto in F Major, Op. 75, J. 127: III. Rondo. Allegro' had a release date set for June 4, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Weber, Mozart & Hummel: Bassoon Concertos by Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp. The song's track number on the album is #3 out of 10 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Bassoon Concerto in F Major, Op. 75, J. 127: III. Rondo. Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Bassoon Concerto in F Major, Op. 75, J. 127: III. Rondo. Allegro by Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Bassoon Concerto in F Major, Op. 75, J. 127: III. Rondo. Allegro being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
| Bassoon Concerto, W. 23: II. Romanza. Andantino cantabile | Johann Nepomuk Hummel, Karen Geoghegan, Benjamin Wallfisch, The Orchestra Of Opera North | B♭ Major | 0 | 6B | 173 BPM | ||
| Ancient Airs and Dances, Suite No. 3 | Ottorino Respighi, I Solisti di Zagreb, Antonio Janigro | B♭ Minor | 2 | 3A | 77 BPM | ||
| Romance in G Minor | Sergei Rachmaninoff, Quatuor Alfama | B♭ Major | 0 | 6B | 90 BPM | ||
| Symphony No. 23 in D Major, K. 181: I. Allegro spiritoso | Wolfgang Amadeus Mozart, Folkwang Kammerorchester Essen, Johannes Klumpp | D Major | 1 | 10B | 76 BPM | ||
| Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM | ||
| Concerto for Trumpet and Orchestra in E Major: I. Allegro con spirito | Johann Nepomuk Hummel, Virtuosi Saxoniae, Ludwig Güttler | B Major | 2 | 1B | 137 BPM | ||
| Reinecke: Flute Concerto in D Major, Op. 283: II. Lento e mesto | Carl Reinecke, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester | B Minor | 1 | 10A | 93 BPM | ||
| Der Fischer und das Milchmädchen: VI. Air de Chassé par Écho | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 1 | 8B | 115 BPM | ||
| Horn Concerto No. 1 in E Flat Major, Op. 11, TrV. 117: III. Allegro-Rondo (Allegro) | Richard Strauss, Lars-Michael Stransky, Wiener Philharmoniker, André Previn | A♭ Major | 4 | 4B | 103 BPM | ||
| Concertstück in F Major, Op. 86: II. Romanze | Robert Schumann, American Horn Quartet, Sinfonia Varsovia, Dariusz Wisniewski | B♭ Major | 0 | 6B | 86 BPM | ||
| Oboe Sonata, FP 185: I. Élégie. Paisiblement | Francis Poulenc, Olivier Doise, Alexandre Tharaud | B♭ Minor | 0 | 3A | 66 BPM | ||
| Concertino in E flat, J109 (Op. 26): II: Andante - | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | B♭ Major | 0 | 6B | 131 BPM | ||
| Dukas: Villanelle | Paul Dukas, Dennis Brain, Gerald Moore | C Major | 0 | 8B | 69 BPM | ||
| Saint-Saëns: Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Sabine Meyer, Oleg Maisenberg | E♭ Major | 0 | 5B | 126 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 3 | 9B | 78 BPM | ||
| Cublai, gran kan de' Tartar Overture | Antonio Salieri, Matthias Bamert, London Mozart Players | D Major | 2 | 10B | 88 BPM | ||
| Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch, Boston Symphony Orchestra | A Major | 3 | 11B | 90 BPM | ||
| Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll": IV. Finale. Allegro con spirito | Joseph Haydn, English Chamber Orchestra, Jeffrey Tate | E♭ Major | 1 | 5B | 145 BPM | ||
| Sonate pour basson, Op. 168: III. Adagio | Camille Saint-Saëns, Marc Trenel, Pascal Godart | C Major | 0 | 8B | 73 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | ||
| Sinfonia In E Flat Major, Wq. 183/2, H. 664: II. Larghetto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
| String Quintet in G Major, Op. 77: I. Allegro con fuoco – Più mosso | Antonín Dvořák, Berlin Philharmonic String Quintet | A Major | 3 | 11B | 130 BPM | ||
| Oboe Concerto: Allegro moderato | Richard Strauss, John De Lancie, Max Wilcox | D Major | 1 | 10B | 108 BPM | ||
| 6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: III. Air polonais. Rondo. Allegro | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | G Major | 2 | 9B | 131 BPM |