"Pictures at an Exhibition (Orch. Ravel): II. The Old Castle" by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini had its release date on January 1, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini's "Mussorgsky: Pictures at an Exhibition" album is number 4 out of 15. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Pictures at an Exhibition (Orch. Ravel): II. The Old Castle's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition (Orch. Ravel): II. The Old Castle by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
| Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
| Elgar: Serenade for Strings, Op. 20: I. Allegro piacevole | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | E Minor | 1 | 9A | 125 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
| The Duke of Marlborough Fanfare | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Ein Heldenleben, Op. 40, TrV 190: Des Helden Weltflucht und Vollendung (the Hero's Withdrawal from the World) | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | G Major | 0 | 9B | 84 BPM | ||
| Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
| One Life Beautiful | Julie Giroux, University of North Texas Symphonic Band, Ray Cramer | E♭ Major | 3 | 5B | 99 BPM | ||
| Pictures At An Exhibition: Promenade - 1 | Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 80 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: I. Allegro (Cadenza by Busoni) | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | ||
| Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
| Billy the Kid Suite: VIII. The Open Prairie Again | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 72 BPM | ||
| Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM | ||
| Pictures at an Exhibition: The Old Castle | Modest Mussorgsky, George Szell, The Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982 | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
| Piano Concerto No. 1 in B-Flat Minor, Op. 23: Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin | B♭ Minor | 2 | 3A | 149 BPM | ||
| El amor brujo: Ritual Fire Dance | Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
| Lincolnshire Posy: I. Lisbon | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Spoon River (Arr. for Wind Ensemble) | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | G Minor | 1 | 6A | 91 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VIIIa. Catacombae "Sepulcrum romanum" | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | ||
| Berlioz- Symphonie Fantastique: Symphonie Fantastique: IV. March to the Scaffold | Hector Berlioz, Budapest Philharmonic Orchestra, Rico Saccani | G Minor | 2 | 6A | 78 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
| Billy the Kid Suite: V. Gun Battle | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Minor | 4 | 8A | 166 BPM | ||
| The Miraculous Mandarin, Sz. 73: The Girl Sinks Down to Embrace Him. Allegro | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Major | 5 | 3B | 125 BPM | ||
| Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM |