"El amor brujo: Ritual Fire Dance" by Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra had its release date on January 23, 2007. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 22 in Albeniz: Navarra, Iberia; Falla: El amor brujo; Granadas: Intermezzo from Goyescas by Manuel de Falla, Leontyne Price. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, El amor brujo: Ritual Fire Dance's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El amor brujo: Ritual Fire Dance by Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: IV. Finale. Allegro con moto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg | A♭ Major | 3 | 4B | 132 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
| Poet and Peasant: Overture | Franz von Suppé, Detroit Symphony Orchestra, Paul Paray | A Major | 3 | 11B | 81 BPM | ||
| El Sombrero de tres picos, Parte II: Danza del molinero. Farruca | Manuel de Falla, Carmen Romeu, Mahler Chamber Orchestra, Pablo Heras-Casado | G Major | 1 | 9B | 107 BPM | ||
| 4 Orchestral Pieces, Sz. 51: I. Preludio | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 65 BPM | ||
| Masquerade Suite: IV. Romance | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Large Symphony Orcherstra | B♭ Minor | 2 | 3A | 124 BPM | ||
| Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Minor | 0 | 5A | 171 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
| Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
| Pirogov Suite, Op. 76a (Arr. L. Atovmyan for Orchestra): V. Finale | Dmitri Shostakovich, Bolshoi Theatre Orchestra, Maxim Shostakovich | E♭ Major | 2 | 5B | 107 BPM | ||
| Rhapsody In Blue: Rhapsody In Blue - Excerpt | George Gershwin, James Levine, Chicago Symphony Orchestra | E Major | 2 | 12B | 76 BPM | ||
| Valse-Caprice in E-Flat Major | Alexander Dargomyzhsky, Yevgeny Svetlanov, USSR State Symphony Orchestra | E♭ Major | 3 | 5B | 124 BPM | ||
| String Quartet No. 2 in D Major: III. Notturno. Andante | Alexander Borodin, Borodin Quartet | G Minor | 0 | 6A | 112 BPM | ||
| Scheherazade: The Fight | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 1 | 9A | 80 BPM | ||
| Fuga Y misterio (arr. José Carli) | Die 12 Cellisten der Berliner Philharmoniker | A Minor | 2 | 8A | 122 BPM | ||
| Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM | ||
| Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
| Petrushka: The Shrove-Tide Fair | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | ||
| Islamey - Oriental Fantasy, Op. 18 | Mily Balakirev, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel | D♭ Major | 3 | 3B | 77 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 124 BPM | ||
| Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 122 BPM |