Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft) by Richard Wagner, Sir Adrian Boult, London Philharmonic Orchestra Song Details

"Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft)" by Richard Wagner, Sir Adrian Boult, London Philharmonic Orchestra had its release date on January 1, 1989. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Preludes and Overtures by Richard Wagner, Sir Adrian Boult, London Philharmonic Orchestra, New Philharmonia Orchestra. The song's track number on the album is #7 out of 18 tracks. Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft) by Richard Wagner, Sir Adrian Boult, London Philharmonic Orchestra has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft) being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.

Music Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 8%
Loudness: -14.16 dB
Acousticness: 94%
Danceability: 20%
Energy: 32%
Instrumentalness: 93%
Liveness: 8%
Loudness: 76%
Speechiness: 3%
Valence: 6%

Recommendations

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Khovanshchina: Overture (Prelude)	Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev	D♭ Major	0	3B	90 BPM
Tosca, Act III: Come è lunga l'attesa!	Giacomo Puccini, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno	C Major	1	8B	76 BPM
Die erste Walpurgisnacht, Op. 60: Ouverture: Der Ubergang zum Fruhling	Felix Mendelssohn, Kurt Masur, Leipzig Gewandhaus Orchestra	E♭ Major	0	5B	58 BPM
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf!	Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner	G Major	2	9B	112 BPM
The Love for Three Oranges Op. 33: Marche	Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon	A♭ Major	4	4B	128 BPM
Verdi: Aida, Act 1: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Aida, Radamès, Amneris, Coro)	Giuseppe Verdi, Riccardo Muti, Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, Luigi Roni, Montserrat Caballé, Nicolai Ghiaurov, Plácido Domingo, New Philharmonia Orchestra	A Major	4	11B	89 BPM
Das Rheingold, WWV 86A / Scene 2: "Auf, Loge, hinab zu mir!...Hehe! Hehe!"	Richard Wagner, George London, Set Svanholm, Gustav Neidlinger, Waldemar Kmentt, Kirsten Flagstad, Eberhard Wächter, Paul Kuentz, Wiener Philharmoniker, Sir Georg Solti	F♯ Minor	7	11A	132 BPM
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto	Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko	D Major	2	10B	105 BPM
Bizet: Carmen, Act 3: Entr'acte	Georges Bizet, Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra	D Minor	2	7A	132 BPM
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Tristan und Isolde, WWV 90 / Act III: "Kurwenal! He!"	Richard Wagner, Erwin Wohlfahrt, Wolfgang Windgassen, Eberhard Wächter, Bayreuth Festival Orchestra, Karl Böhm	B♭ Minor	1	3A	136 BPM
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo	Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík	G Major	2	9B	141 BPM
Symphonie fantastique, H. 48: IV. Marche au supplice	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	G Minor	2	6A	166 BPM
Die Walküre / Dritter Aufzug: The Ride Of The Valkyries	Richard Wagner, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Berliner Philharmoniker, Herbert von Karajan	C Major	2	8B	80 BPM
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Gurrelieder, Pt. 3: No. 22, Seht die Sonne (Mixed Chorus)	Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado, Wiener Staatsopernchor, Dietrich Gerpheide, Arnold Schoenberg Chor, Erwin Ortner, Slovak Philharmonic Chorus, Jan Rozehnal	E Major	3	12B	89 BPM
Verdi: Messa da Requiem: III. Tuba mirum	Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano	C Major	2	8B	114 BPM