Georges Bizet, Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra's ' "Bizet: Carmen, Act 3: Entr'acte" was released on its scheduled release date, 1964. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Bizet: Carmen, Act 3: Entr'acte's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 39 in Bizet: Carmen by Georges Bizet, Maria Callas, Georges Prêtre. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bizet: Carmen, Act 3: Entr'acte's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bizet: Carmen, Act 3: Entr'acte by Georges Bizet, Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM | ||
| Doña Francisquita, Act III: Fandango | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá | F Major | 3 | 7B | 101 BPM | ||
| Mignon (1987 Digital Remaster): Ah, pour ce soir...Je suis Titania (Polonaise) | Maria Callas, Georges Prêtre | B♭ Major | 2 | 6B | 97 BPM | ||
| El Barberillo de Lavapiés: Canción de Paloma | Francisco Asenjo Barbieri, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon, Coro Filarmonico del Regio di Torino, Claudio Fenoglio | A Major | 2 | 11B | 142 BPM | ||
| Werther, Act III Scene 1: Air des lettres, "Qui m'aurait dit la place que dans mon coeur ... Des cris joyeux d'enfants montent sous ma fenêtre" (Charlotte) - 1963 Columbia Recording | Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre, Maria Callas | C Major | 1 | 8B | 86 BPM | ||
| Jeux d'enfants, Petite Suite, Op. 22 WD 56: V. Galop. Le bal | Georges Bizet, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 7 | 11B | 97 BPM | ||
| Neva Polka, Op. 288 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | E♭ Major | 4 | 5B | 80 BPM | ||
| Carmen Ballet: Entrance of Carmen and Habañera | Arthur Fiedler | G Major | 1 | 9B | 120 BPM | ||
| Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch, Boston Symphony Orchestra | A Major | 3 | 11B | 90 BPM | ||
| Polovetsian Dances from Prince Igor: Presto I | Alexander Borodin, George Szell, Cleveland Orchestra | D Minor | 3 | 7A | 109 BPM | ||
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
| Capriccio espagnol, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
| Symphony In C Major: IV. Allegro Vivace | New Zealand Symphony Orchestra, Georges Bizet | G Major | 1 | 9B | 146 BPM | ||
| Carmen, WD 31 (Excerpts): Act I: L'amour est un oiseau rebelle (Habanera) | Georges Bizet, Herbert von Karajan, Wiener Philharmoniker | D Major | 0 | 10B | 127 BPM | ||
| The Love for Three Oranges Op. 33: Marche | Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon | A♭ Major | 4 | 4B | 128 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
| Macbeth: Overture (Preludio) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 1 | 3B | 81 BPM | ||
| Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM | ||
| Gounod: Faust, CG 4, Act 2 Scene 2: No. 6, Invocation, "Avant de quitter ces lieux … Pardon! … Hein?" (Valentin, Wagner, Choeur, Méphistophélès) | Charles Gounod, Plácido Domingo, Georges Prêtre, Orchestre de l'Opéra National de Paris | E♭ Major | 2 | 5B | 93 BPM | ||
| Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
| Giselle: Act I: Introduction | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 82 BPM | ||
| El Amor Brujo: Danza del Fuego | Orquesta Sinfónica De Radio Hamburgo, Manuel de Falla, Oscar Bustonovich | G Major | 3 | 9B | 147 BPM | ||
| Bizet: Carmen, Act 1: "Mon officier, c'était une querelle" (José, Zuñiga, Carmen) | Georges Bizet, Maria Callas/Nicolai Gedda/Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | C Major | 1 | 8B | 139 BPM | ||
| La bayadère: Andantino | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
| Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 120 BPM |