"Capriccio espagnol, Op. 34: V. Fandango asturiano" by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz had its release date on September 6, 2011. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Rimsky-Korsakov: Capriccio espagnol". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Capriccio espagnol, Op. 34: V. Fandango asturiano is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Capriccio espagnol, Op. 34: V. Fandango asturiano by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
| Tik-Tak Polka, Polka schnell, Op. 365 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | A Major | 6 | 11B | 90 BPM | ||
| Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
| Le roi s'amuse: Gaillarde | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 96 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM | ||
| Don Quixote: Overture | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 82 BPM | ||
| Symphony No. 3 in E flat, Op. 97 - "Rhenish": 4. Feierlich | Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini | E♭ Minor | 1 | 2A | 75 BPM | ||
| Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
| Der Zigeunerbaron: Ouvertüre | Johann Strauss II, Riccardo Muti, Wiener Philharmoniker | A Minor | 1 | 8A | 87 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
| Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
| Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
| Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: IV. Eintritt in den Wald | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 71 BPM | ||
| Festive Overture Op.96 | Dmitri Shostakovich, Philharmonia Orchestra, Vladimir Ashkenazy | A Major | 4 | 11B | 80 BPM | ||
| Simple Symphony, Op. 4: Frolicsome Finale | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | G Major | 2 | 9B | 155 BPM | ||
| Der Rosenkavalier: Walzerfolge No. 2, TrV 227a | Seattle Symphony Orchestra | D Minor | 0 | 7A | 98 BPM | ||
| Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst | C Major | 0 | 8B | 105 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
| Sylvia: Act I: Faunes et Dryades (Scherzo) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 81 BPM | ||
| 1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM | ||
| Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM |