- BPM
- 81
- Key
- D♭ Major
- Camelot
- 3B
Macbeth: Overture (Preludio) by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado Song Details
"Macbeth: Overture (Preludio)" by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado had its release date on April 28, 2023. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 44 out of 278 in Abbado: Verdi by Giuseppe Verdi, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Macbeth: Overture (Preludio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Macbeth: Overture (Preludio) by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -21.336 dB
- Acousticness
- 98%
- Danceability
- 28%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Norma (1997 Digital Remaster), ACT 1, Scene 1: Sediziose voci (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Minor | 1 | 3A | 85 BPM | |
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 | I Capuleti e i Montecchi: Eccomi in lieta vesta: Sinfonia - Live | Vincenzo Bellini, Wiener Symphoniker, Fabio Luisi | D Major | 2 | 10B | 72 BPM | |
 | Lohengrin, WWV 75, Act III: Prelude | Richard Wagner, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | |
 | Verdi: Messa da Requiem: XIII. Hostias | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | |
 | Gounod: Roméo et Juliette, Act 1: Introduction. "L'heure s'envole" (Chœur) | Charles Gounod, Michel Plasson, Choeur Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | |
 | Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | |
 | Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | |
 | Carmen (1997 - Remaster), Act II: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E♭ Major | 0 | 5B | 72 BPM | |
 | Tuba mirum | Giuseppe Verdi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | D♭ Minor | 3 | 12A | 91 BPM | |
| Lohengrin, WWV 75, Act III: Treulich geführt ziehet dahin "Bridal Chorus" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | |
 | Spontini: La vestale, Act 2: "O Nume tutelar" (Giulia) | Gaspare Spontini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 172 BPM | |
 | Pelléas et Mélisande, CD 93, Act III: Mes longs cheveux descendent | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | |
 | Delibes: Lakmé: Prelude (Maestoso) | Léo Delibes, Orchestre du Théâtre National de I'Opéra-Comique/Alain Lombard, Alain Lombard, Orchestre Du Theatre National De L'Opera Comique | D♭ Major | 2 | 3B | 138 BPM | |
 | La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | |
| Norma (1997 Digital Remaster), ACT 1, Scene 1: Ah! bello a me ritorna (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 2 | 7B | 128 BPM | |
| Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Minor | 3 | 8A | 82 BPM | |
 | La Cenerentola / Act 1: "Signor, una parola" | Gioachino Rossini, Teresa Berganza, Paolo Montarsolo, Renato Capecchi, Luigi Alva, Ugo Trama, London Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 127 BPM | |
 | Le nozze di Figaro, K. 492, Act I: No. 6, Non so più cosa son, cosa faccio | Wolfgang Amadeus Mozart, Cecilia Bartoli, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM | |
 | Rigoletto: Overture (Preludio) | Giuseppe Verdi, London Symphony Orchestra, Richard Bonynge | C Major | 0 | 8B | 72 BPM | |
 | Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelík | D Major | 1 | 10B | 131 BPM | |
| Hungarian Dance No.8 In A Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 151 BPM | |
 | Aida, Act I: Quale insolita gioia | Giuseppe Verdi, Elena Obraztsova, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | |
 | Nabucco: Entry Chorus 'Gli arredi festivi giu candano infranti' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM |
- ISRC
- DEF057631201
- Label
- L-M Records/RCA Records