"Rogl Polka, Op. 62 - Live" by Helmut Rogl, PRO BRASS, Alfred Lauss-Linhart had its release date on March 15, 2022. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Helmut Rogl, Various Artists's "Helmut Rogl: Orchestral Works" album is number 1 out of 14. On top of that, Austria appears to be the country where this track was created. Based on our statistics, Rogl Polka, Op. 62 - Live's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rogl Polka, Op. 62 - Live by Helmut Rogl, PRO BRASS, Alfred Lauss-Linhart to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 1 | 8B | 74 BPM | ||
| Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM | ||
| CRADLE SONG | Yoko Kanno | B♭ Minor | 1 | 3A | 104 BPM | ||
| 二つの悲しき旋律: 第2曲: 過ぎし春 | 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
| Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto | Franz Schubert, Trio di Parma | A Minor | 0 | 8A | 146 BPM | ||
| String Quartet No. 2, "Company": III. — | Philip Glass, Carducci String Quartet | E Minor | 0 | 9A | 168 BPM | ||
| Trittico Botticelliano: No. 3, La nascita di Venere | Ottorino Respighi, Bamberg Symphony, Riccardo Frizza | D♭ Minor | 0 | 12A | 95 BPM | ||
| Spiegel im Spiegel - Version for Violin and Piano | Arvo Pärt, Vladimir Spivakov, Sergej Bezrodny | F Major | 0 | 7B | 71 BPM | ||
| Sonata for 2 Clarinets, FP 7: II. Andant: Tres lent | Francis Poulenc, Larry Combs, Paul Drew Drushler | E Major | 1 | 12B | 91 BPM | ||
| Butterfly Lovers Violin Concerto: IV. Pesante - Più mosso - Duramente | Chen Gang, He Zhanhao, Chloe Chua, Singapore Symphony Orchestra, Rodolfo Barráez | G Minor | 3 | 6A | 142 BPM | ||
| Salomea | Jasmin Reuter, World Chamber Orchestra | A♭ Major | 2 | 4B | 122 BPM | ||
| Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | A♭ Minor | 0 | 1A | 71 BPM | ||
| Piano Trio No. 5 in D Major, Op. 70, No. 1, "Ghost": II. Largo assai ed espressivo | Ludwig van Beethoven, Xyrion Trio | D Minor | 0 | 7A | 84 BPM | ||
| 3 Miniatures, Op. 5: No. 3. Ruhig | Helmut Rogl, Martin Rummel | C Major | 1 | 8B | 102 BPM | ||
| Carnival of the Animals: I. Introduction and Royal March of the Lion | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | G Major | 2 | 9B | 79 BPM | ||
| Sospiri, Op. 70 | Sol Gabetta | F Major | 0 | 7B | 74 BPM | ||
| Symphony I, Op. 66: Andantino Con Anima | Helmut Rogl, Orchester der Anton Bruckner Privatuniversität, Manfred Mayrhofer | G Major | 1 | 9B | 139 BPM | ||
| 3 Miniatures, Op. 5: No. 1. Energisch, Nicht Zu Schnell | Helmut Rogl, Martin Rummel | A Minor | 0 | 8A | 83 BPM | ||
| Seeing Through Ghosts (Theme from The Awakening) | Daniel Pemberton | B♭ Minor | 9 | 3A | 128 BPM | ||
| Bangalter: Mythologies: IX. Zeus | Thomas Bangalter, Romain Dumas, Orchestre National Bordeaux Aquitaine | D♭ Major | 1 | 3B | 120 BPM | ||
| Everything I Wanted - Arr. for Oboe and Chamber Orchestra by Juri Vallentin | Juri Vallentin, Ensemble Reflektor | F♯ Minor | 1 | 11A | 128 BPM | ||
| Ginastera / Transcr. Ducros: Ginastera: Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra | E Minor | 1 | 9A | 73 BPM | ||
| Breathturn, Pt. 1 | John Zorn, Mika Stoltzman, Richard Stoltzman, Fred Sherry | D♭ Minor | 0 | 12A | 95 BPM | ||
| Allegro | Bear McCreary | D Major | 0 | 10B | 65 BPM | ||
| Contact: III. Contact | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | G Major | 6 | 9B | 146 BPM |