Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang's ' "Contact: III. Contact" was released on its scheduled release date, June 10, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Time For Three, Philadelphia Orchestra, Xian Zhang, Jennifer Higdon, Kevin Puts's "Letters for the Future" album is number 3 out of 7. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Contact: III. Contact's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Contact: III. Contact by Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM | ||
| Te Deum: Te gloriosus Apostolorum chorus | Henrik Ødegaard, Trad., Ensemble 96, Nina T. Karlsen | B Major | 1 | 1B | 81 BPM | ||
| Symphony No. 4 in C Minor, Op. 43: IV. Largo | Dmitri Shostakovich, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | C Minor | 0 | 5A | 130 BPM | ||
| Dowland: First Book of Songs or Ayres: No. 1, Come Again! Sweet Love Doth Now Invite | John Dowland, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | F♯ Major | 2 | 2B | 112 BPM | ||
| In At The Eye: IV. Fallen Majesty | Kevin Puts, Timothy Jones, Stephanie Jutt, Stephanie Sant'Ambrogio, Anthony Ross, Jeffrey Sykes | G Major | 0 | 9B | 73 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| You Are the Dust | Missy Mazzoli, Emily D'Angelo, das freie orchester Berlin, Jarkko Riihimäki | A Major | 1 | 11B | 60 BPM | ||
| Sleep | Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM | ||
| Fantaisie sur deux Airs Russes, Op.13: V. Andantino | Adrien François Servais, Sol Gabetta, Cappella Gabetta | D♭ Major | 1 | 3B | 172 BPM | ||
| The Tempest, Op. 109: IV. Largo | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | E Major | 1 | 12B | 169 BPM | ||
| I Colori della Gioia | Jan van der Roost, Anneke Luyten, Casco Phil | D Major | 2 | 10B | 68 BPM | ||
| Dvořák: In Folk Tone, Op. 73, B. 146: No. 1, Good Night, My Darling (Arr. Braun for Trumpet and Orchestra) | Antonín Dvořák, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | D Minor | 1 | 7A | 94 BPM | ||
| Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
| Symphony No. 2 in C Minor, Op. 29: IIId. Tempo I (Fig. 63) | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| Symphony No. 1, GMW 11: IIId. Wieder etwas bewegter, wie im Anfang | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 1 | 11B | 81 BPM | ||
| La Cinquième Saison, Op. 15: II. La Source: La rivière des soupirs 2 | Corentin Apparailly, Julien Martineau, Orchestre Victor Hugo, Jean-François Verdier | E Minor | 3 | 9A | 125 BPM | ||
| Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Rêverie, Op. 24 | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| And So | Caroline Shaw, Attacca Quartet | E Major | 1 | 12B | 131 BPM | ||
| The Pacific Has No Memory | Eric Whitacre, Anne Akiko Meyers, Orpheus Chamber Orchestra | B Minor | 1 | 10A | 91 BPM | ||
| To Touch the Sky: To Touch the Sky: V. At Castle Wood | Kevin Puts, Conspirare, Craig Hella Johnson | G Minor | 1 | 6A | 67 BPM | ||
| Bernstein: West Side Story: Somewhere (Arr. Penaforte for Violin and Piano) | Leonard Bernstein, Augustin Hadelich, Orion Weiss | E Major | 1 | 12B | 99 BPM | ||
| Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato | Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | A Minor | 1 | 8A | 92 BPM | ||
| Schumann: Myrthen, Op. 25: No. 1, Widmung | Robert Schumann, Fatma Said, Joseph Middleton | G Major | 1 | 9B | 131 BPM |