The Tempest, Op. 109: IV. Largo by Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra Song Details

"The Tempest, Op. 109: IV. Largo" by Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra had its release date on February 21, 2025. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Sibelius: Symphonies Nos. 6 & 7, The Tempest". In this album, this song's track order is #9. Furthermore, we believe that the track originated from France. The popularity of The Tempest, Op. 109: IV. Largo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Tempest, Op. 109: IV. Largo by Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.

Music Key

This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 18%
Loudness: -21.443 dB
Acousticness: 83%
Danceability: 8%
Energy: 12%
Instrumentalness: 98%
Liveness: 15%
Loudness: 64%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Montgomery Variations: I. The Decision – Andante deciso	Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin	D Minor	0	7A	141 BPM
Andante Festivo	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	1	9B	86 BPM
Montgomery Variations: Montgomery Variations: I. Decision	Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra	D Minor	1	7A	82 BPM
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne	Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud	E♭ Major	0	5B	94 BPM
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (quasi andantino)	Johannes Brahms, Royal Concertgebouw Orchestra, John Eliot Gardiner	D♭ Major	2	3B	95 BPM
Purcell: Dido and Aeneas, Z. 626, Act 3: Dido's Lament (Arr. Diluka for Piano)	Henry Purcell, Shani Diluka	D Minor	0	7A	134 BPM
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto	Johannes Brahms, Royal Concertgebouw Orchestra, John Eliot Gardiner	F Major	0	7B	173 BPM
Dvořák: In Folk Tone, Op. 73, B. 146: No. 1, Good Night, My Darling (Arr. Braun for Trumpet and Orchestra)	Antonín Dvořák, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris	D Minor	1	7A	94 BPM
Musica serena	Pēteris Vasks, Munich Radio Orchestra, Ivan Repušić	A Minor	0	8A	65 BPM
Mendelssohn: Lieder ohne Worte, Book I, Op. 19b: No. 6 in G Minor, Venetian Gondola Song, MWV U78 (Orch. Shani)	Felix Mendelssohn, Lahav Shani, Rotterdam Philharmonic Orchestra	G Minor	0	6A	76 BPM
L'Arlésienne Suite No. 2: Farandole	Georges Bizet, Wiener Philharmoniker, Tugan Sokhiev	C Major	1	8B	89 BPM
Cello Sonata No. 2, Op. 58/MWV Q 32: III. Adagio	Felix Mendelssohn, Sol Gabetta, Bertrand Chamayou	G Major	2	9B	84 BPM
Night (Arr. for Cello & Piano by Tom Poster)	Florence Beatrice Price, Laura van der Heijden, Jâms Coleman	G Major	0	9B	86 BPM
Dolomites, pale mountains: I. Marmolada	Rachel Portman, LGT Young Soloists, Alexander Gilman	G Major	0	9B	86 BPM
Violin Concerto in D Major, Op. 35: I. Moderato nobile	Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša	D Major	2	10B	101 BPM
Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto	Max Bruch, George Hanson, Sinfonieorchester Wuppertal	E♭ Major	0	5B	87 BPM
A Midsummer Night's Dream, Op. 61: Scherzo (Arr. Rachmaninoff for Piano)	Felix Mendelssohn, Isata Kanneh-Mason	G Minor	1	6A	121 BPM
Anders Krisár: For Denise	Anders Krisár, Roland Pöntinen	D♭ Major	0	3B	68 BPM
Cello Sonata in C Major, Op. 65: II. Scherzo-Pizzicato. Allegretto	Benjamin Britten, Sheku Kanneh-Mason, Isata Kanneh-Mason	D Major	1	10B	143 BPM
25 Préludes, Op.31: No. 8, La chanson de la folle au bord de la mer	Charles-Valentin Alkan, Igor Levit	A♭ Major	0	4B	67 BPM
Mélodie in Ab Major - arr. for orchestra	Louise Farrenc, Prague Metropolitan Orchestra, Shea Lolin	A♭ Major	1	4B	64 BPM
Piano Concerto: III. Allegro agitato	George Gershwin, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin	C Minor	2	5A	140 BPM
Violin Concerto No. 1 in D Major, Op. 19: III. Moderato	Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä	G Minor	2	6A	73 BPM
Anemos	Olivia Belli, Chris Worsey	G Minor	0	6A	85 BPM
Symphony No. 5 in D Major: II. Scherzo. Presto misterioso	Ralph Vaughan Williams, Antonio Pappano, London Symphony Orchestra	A Minor	1	8A	107 BPM