"Violin Concerto in D Major, Op. 35: I. Moderato nobile" by Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša had its release date on May 9, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 10 in Bruch & Korngold by Bomsori, Max Bruch, Bamberger Symphoniker, Erich Wolfgang Korngold, Jakub Hrůša. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Violin Concerto in D Major, Op. 35: I. Moderato nobile is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto in D Major, Op. 35: I. Moderato nobile by Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Abstractions: III. Seascape (Inspired by Hiroshi Sugimoto's Caribbean Sea, Jamaica, 1980) | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | F♯ Minor | 0 | 11A | 66 BPM | ||
| Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | D Minor | 3 | 7A | 113 BPM | ||
| Introduction et Rondo capriccioso, Op. 28, R. 188: II. Rondo capriccioso | Camille Saint-Saëns, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | A Minor | 1 | 8A | 87 BPM | ||
| String Sextet No. 1, Op. 18: II. Andante ma moderato | Johannes Brahms, Belcea Quartet, Tabea Zimmermann, Jean-Guihen Queyras | D Major | 1 | 10B | 88 BPM | ||
| Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 1 | 9A | 76 BPM | ||
| Tempus fugit: I. Part 1 | Magnus Lindberg, NDR Elbphilharmonie Orchester, Alan Gilbert | A Major | 2 | 11B | 123 BPM | ||
| The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Daniel Harding, Bavarian Radio Symphony Orchestra | C Minor | 2 | 5A | 89 BPM | ||
| Transfigured Night, Op. 4 (Version for String Orchestra): Pesante - Grave | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | E Major | 0 | 12B | 73 BPM | ||
| Symphony No. 2 in C Major, Op. 61: III. Adagio espresssivo | Robert Schumann, Philharmonia Orchestra, Christian Thielemann | E♭ Major | 0 | 5B | 77 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | B Major | 0 | 1B | 130 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: I. Lento assai - Allegro moderato | Karol Szymanowski, Belcea Quartet | F Major | 2 | 7B | 92 BPM | ||
| Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
| Lasst mich allein, Op. 82 No. 1, B. 157/1 (Orch. Leopold) | Antonín Dvořák, Mahler Chamber Orchestra, Daniel Harding | A Major | 2 | 11B | 130 BPM | ||
| I'll bid my heart be still | Rebecca Clarke, Philip Dukes, Sophia Rahman | D Minor | 0 | 7A | 83 BPM | ||
| Violin Sonata No. 3, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Augustin Dumay, Maria João Pires | A Major | 5 | 11B | 83 BPM | ||
| Brel & Jouannest: Mathilde | Alexandre Tharaud | B♭ Minor | 2 | 3A | 133 BPM | ||
| Ever Yours: III. You Reap What You Sow | Osvaldo Golijov, Arethusa Quartet, Animato Quartet, Nicholas Schwartz | B Major | 0 | 1B | 130 BPM | ||
| DANCE: II. if you’ve torn the bandage off | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | G Major | 2 | 9B | 99 BPM | ||
| Revue Music | Sofia Gubaidulina, Basel Sinfonietta, Titus Engel, NDR Bigband | D♭ Major | 3 | 3B | 71 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | E♭ Major | 0 | 5B | 94 BPM | ||
| Viola Concerto: IIb. Trio | Magnus Lindberg, Lawrence Power, Finnish Radio Symphony Orchestra, Nicholas Collon | F Minor | 1 | 4A | 174 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | B Major | 0 | 1B | 130 BPM | ||
| Violin Concerto No. 2 in D Minor Op. 22: II. Romance. Andante ma non troppo | Henryk Wieniawski, Bomsori, Jacek Kaspszyk | B♭ Major | 1 | 6B | 96 BPM | ||
| Danzas fantásticas, Op. 22: II. Ensueño | Joaquín Turina, Juanjo Mena, BBC Philharmonic | F Major | 1 | 7B | 128 BPM |