- BPM
- 99
- Key
- B♭ Minor
- Camelot
- 3A
Sleep by Ian Bostridge, Julius Drake Song Details
"Sleep" by Ian Bostridge, Julius Drake had its release date on October 1, 1999. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "The English Songbook". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Sleep is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Sleep by Ian Bostridge, Julius Drake having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 12%
- Loudness
- -29.265 dB
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 1%
- Instrumentalness
- 0%
- Liveness
- 7%
- Loudness
- 51%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Liriche, P. 099a (Orch. Salvatore Di Vittorio): No. 1, Notte | Ottorino Respighi, Alessandra Visentin, Chamber Orchestra of New York, Salvatore Di Vittorio | F Major | 1 | 7B | 75 BPM | |
 | Serse: Aria - Ombra Mai Fu | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | D Major | 0 | 10B | 113 BPM | |
 | Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" | Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 0 | 5A | 101 BPM | |
 | War Requiem, Op. 66: viii. Dies Irae - "Out there, we've walked quite friendly up to Death" | Benjamin Britten, Gianandrea Noseda, Ian Bostridge, Simon Keenlyside, London Symphony Orchestra | G Major | 2 | 9B | 142 BPM | |
 | Wesendonck Lieder, WWV 91 (Orch. Mottl): V. Träume | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 76 BPM | |
 | Britten: Winter Words, Op. 52: No. 1, At Day-Close in November | Benjamin Britten, Ian Bostridge, Antonio Pappano | A♭ Major | 1 | 4B | 76 BPM | |
 | Adams: Nixon in China: Act I, Scene 1 - "Your Flight Was Smooth, I Hope?" | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 1 | 7B | 98 BPM | |
 | Butterworth: A Shropshire Lad: II. "When I was one-and-twenty" | George Butterworth, Ian Bostridge | C Minor | 1 | 5A | 80 BPM | |
 | Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM | |
 | Shostakovich: Lady Macbeth of the Mtsensk District, Op. 29, Act 1 Scene 1: "Akh, nye spitsa bol'she, Poprobuyu" (Katerina) | Dmitri Shostakovich, Mstislav Rostropovich, London Philharmonic Orchestra | B♭ Minor | 0 | 3A | 112 BPM | |
 | Where the Bee Sucks | Thomas Arne, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Major | 1 | 2B | 70 BPM | |
![The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] by Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes](https://i.scdn.co/image/ab67616d00001e023a8903fac78cdbba6ffd32f1) | The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | |
 | Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | B♭ Major | 0 | 6B | 124 BPM | |
 | Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | |
 | Wilson: Take O Take Those Lips Away | John Wilson, Ian Bostridge | A Major | 1 | 11B | 81 BPM | |
 | Myrthen, Op. 25: No. 1, Widmung | Robert Schumann, Margaret Price, James Lockhart | A♭ Major | 1 | 4B | 192 BPM | |
 | Dichterliebe Op. 48: Im wundersschönen Monat Mai | Robert Schumann, Ian Bostridge, Julius Drake | B Minor | 0 | 10A | 174 BPM | |
 | Sleep | Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM | |
 | Purcell: Dido and Aeneas, Z. 626, Act 2: Prelude for the Witches. "Wayward Sisters, You That Fright" - Chorus. "Harm's Our Delight" (Sorceress, Chorus) | Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée, European Voices, Felicity Palmer | E Major | 2 | 12B | 80 BPM | |
 | Chansons pour les oiseaux: No. 1, La colombe poignardée | Louis Beydts, Julie Roset, Susan Manoff | B♭ Major | 0 | 6B | 124 BPM | |
 | Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 1: "Où est Blanche ?" (Le Chevalier, Le Marquis) | Francis Poulenc, Jean-Luc Viala/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Marco Zambelli/London Chorus/Kent Nagano/Richard Cooke, Kent Nagano, Orchestre De L'Opéra National De Lyon | F Major | 2 | 7B | 83 BPM | |
 | 2 Romances, L. 79: No. 2, Les cloches | Claude Debussy, Jerome Ducros, Philippe Jaroussky | G Minor | 0 | 6A | 172 BPM | |
 | Mahler: Kindertotenlieder: No. 2, Nun seh' ich wohl, warum so dunkle Flammen | Gustav Mahler, Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | D Major | 1 | 10B | 107 BPM | |
 | Candide, Act I: No. 4, Oh, Happy We | Leonard Bernstein, June Anderson, Jerry Hadley, London Symphony Orchestra | G Major | 1 | 9B | 109 BPM | |
 | Donaudy : "O del mio amato ben" | Stefano Donaudy, Sumi Jo | A Major | 0 | 11B | 132 BPM |
- ISRC
- GBAYC9901866
- Label
- L-M Records/RCA Records