"Sathi" by Subhalaxmi Das, Debakrupa Mishra had its release date on February 18, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "New Song New Sura Vol - 1". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. In terms of popularity, Sathi is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sathi by Subhalaxmi Das, Debakrupa Mishra having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Akasha Pachhe Padu Chhidi - Female | Ira Mohanty | B♭ Major | 8 | 6B | 96 BPM | ||
| To Aakhire Mun Mo Aakhire Tu | Nibedita | G Major | 10 | 9B | 134 BPM | ||
| Prathama Dekharu | Binod Rathod, Nibedita | D♭ Minor | 10 | 12A | 103 BPM | ||
| Mata Alapatra Parchhu (From "Prem Geet") - Female Vocals | Anju Panta, Arjun Pokharel | D♭ Minor | 7 | 12A | 128 BPM | ||
| Sai Tume Laga Nijara Nijara - From "Operation 12/17" | Aseema Panda, Pratikshya Mohanty, Nirmal Nayak, Baidyanath Dash | F♯ Minor | 9 | 11A | 86 BPM | ||
| Mohe Rang Do Laal | Sanjay Leela Bhansali, Pandit Birju Maharaj, Shreya Ghoshal | C Major | 8 | 8B | 132 BPM | ||
| Tauba Tumhare Ishare (From "Chalte Chalte") | Abhijeet, Alka Yagnik | E Major | 8 | 12B | 124 BPM | ||
| Kahide Bhala Pauki Na | S. Jitu, Soujanya Ratha | B Minor | 8 | 10A | 157 BPM | ||
| Nannolave | Rajesh Krishnan, K Kalyan, K. S. Chithra | A♭ Major | 3 | 4B | 80 BPM | ||
| Kala Kathe Maya | Navin Sahu, JYOTI KANWAR | E Major | 9 | 12B | 112 BPM | ||
| Marijibi Dhana Tori Bina - Female Version | Aseema Panda | A♭ Major | 8 | 4B | 156 BPM | ||
| Mu Sabu Khusi Paye Seithi | Bishnu Mohan Kabi, Diptirekha Padhi | D♭ Major | 8 | 3B | 85 BPM | ||
| Sapna Jaisan Lagata - From "Athrangi Dulhaniya" | Alok Kumar, Khushboo Jain, Shekhar Madhur, Aman Shlok | B♭ Major | 7 | 6B | 80 BPM | ||
| Dinaka Thare | ASHISH KUMBHAR, Anamika Acharya | A♭ Minor | 10 | 1A | 82 BPM | ||
| Joban Jhola Khay | Vanita Barot | E Major | 8 | 12B | 95 BPM | ||
| Godhuli Godhuli | Zubeen, Nirmali | A Minor | 8 | 8A | 128 BPM | ||
| Mate Khyama Karidabu Jaga | Sourav Bharadwaj | A Minor | 7 | 8A | 150 BPM | ||
| Surumakalezhuthiya - From "Muhabbathanavanodu" | Asma Kottakkal, Musthafa Gudallur, Aflu | F♯ Minor | 8 | 11A | 125 BPM | ||
| Aakashe Pawan | Babul Supriyo | B♭ Minor | 9 | 3A | 128 BPM | ||
| Morom Dili - Studio | Kumar Bhabesh, Zubeen Garg | F Minor | 8 | 4A | 90 BPM | ||
| A Sakala Suneli Phulata | Kumar Bapi, Sailabhama Mohapatra | F♯ Major | 8 | 2B | 78 BPM | ||
| Kheti Wali | Sohan Bhai Rajawat, Mahi Dawar | A Major | 8 | 11B | 112 BPM | ||
| O Mama | Krishnamoni Chutia | G Major | 8 | 9B | 103 BPM | ||
| Mayadara Kamla | Rohit Agari, Meena Rana | D♭ Major | 9 | 3B | 79 BPM | ||
| Saan Hor | Nitamoni Boro | E Major | 4 | 12B | 95 BPM |