Susana Rinaldi's 'Garras' had a release date set for January 1, 2009. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Susana Rinaldi's "La Tana Con Todo" album is number 8 out of 10. On top of that, Argentina appears to be the country where this track was created. In terms of popularity, Garras is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Garras by Susana Rinaldi to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nido gaucho | Lidia Borda, Orquesta El Arranque | E Major | 4 | 12B | 113 BPM | ||
| Melodía de Arrabal | Omar Mollo | D Minor | 0 | 7A | 67 BPM | ||
| El Último Café | Rosanna Falasca | G Major | 1 | 9B | 92 BPM | ||
| Gracias A Pesar De Todo | Eladia Blázquez | C Major | 2 | 8B | 86 BPM | ||
| Convencernos (with Eladia Blázquez) | Chico Novarro, Eladia Blázquez | B Minor | 4 | 10A | 127 BPM | ||
| Palomita Blanca | Horacio Molina | D Major | 1 | 10B | 75 BPM | ||
| Fuga de Ausencias | Julieta Laso | B Minor | 4 | 10A | 92 BPM | ||
| Mi Buenos Aires Querida | Hugo Díaz | C Major | 4 | 8B | 103 BPM | ||
| El Dia Que Me Quieras | Angelito Martinez | E♭ Major | 1 | 5B | 116 BPM | ||
| El mareo | Alberto Morán, Julio De Caro, Orquesta Osvaldo Pugliese | E♭ Major | 3 | 5B | 125 BPM | ||
| Tu pálida voz | Lidia Borda, Diego Schissi | G Major | 2 | 9B | 131 BPM | ||
| Muchacha (Ojos de Papel) | Spinettango, Litto Nebbia | E Major | 9 | 12B | 157 BPM | ||
| Yo No Se Que Me Han Hecho Tus Ojo | Luciana Jury | B Minor | 2 | 10A | 128 BPM | ||
| El Choclo | Tita Merello | B Major | 4 | 1B | 149 BPM | ||
| Si Yo Pudiera Comprender | Orquesta Típica Sans Souci, Emiliano Castignola | C Minor | 3 | 5A | 123 BPM | ||
| Remembranza | La Juan D'Arienzo | C Major | 4 | 8B | 135 BPM | ||
| Caserón De Tejas | Maria Graña | F Minor | 3 | 4A | 82 BPM | ||
| Todo Es Amor | Cristian Chinellato | A Minor | 9 | 8A | 114 BPM | ||
| Garufa | Trio Hugo Diaz | G Major | 4 | 9B | 124 BPM | ||
| Filosofía Barata y Zapatos de Goma | Amores Tangos, Cucuza Castiello | E♭ Major | 3 | 5B | 89 BPM | ||
| La Canción y el Poema (Morir de Amor) | Soledad Villamil | C Minor | 5 | 5A | 122 BPM | ||
| El Viejo Vals | Francisco Rotundo | D Minor | 5 | 7A | 105 BPM | ||
| Mano a Mano | Lidia Borda | D Minor | 5 | 7A | 107 BPM | ||
| Sur | Nelly Omar | A Minor | 3 | 8A | 115 BPM | ||
| Adios Nonino | Hugo Díaz | F♯ Minor | 1 | 11A | 134 BPM |