Shahid Parvez's 'Jhinjoti Madhya Laya Gat' had a release date set for September 18, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Shahid Parvez's "Midnight Moon Raga Jhinjhoti Sitar" album is number 5 out of 6. In terms of popularity, Jhinjoti Madhya Laya Gat is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Jhinjoti Madhya Laya Gat by Shahid Parvez to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kateelda Sri Durgaparameshwari | B. R. Chaya | F Major | 5 | 7B | 143 BPM | ||
| Raga Kamod - Gat In Jhaptaal | Traditional, Shivkumar Sharma, Zakir Hussain | A♭ Minor | 2 | 1A | 104 BPM | ||
| Waterfalls | Shahid Parvez, Dayashakar, Vishwa Mohan Bhatt, Tarun Bhattacharya, Ronu Majumdar | C Major | 7 | 8B | 122 BPM | ||
| Annapoorne Visalakshi (Instrumental) | Anjani Srinivasan | A Major | 5 | 11B | 150 BPM | ||
| Raga Bhupali - Ustad Amjad Ali Khan | Ustad Amjad Ali Khan | E Minor | 4 | 9A | 97 BPM | ||
| Through The Trees | Kaustav Majumder | B♭ Major | 3 | 6B | 84 BPM | ||
| Compostion In Aditaal | Shahid Parvez, SHASHANK | F Major | 2 | 7B | 133 BPM | ||
| Shankara | Bismillah Khan | D Major | 3 | 10B | 131 BPM | ||
| Raga Des Bhajan | G.S. Sachdev | F Major | 2 | 7B | 119 BPM | ||
| Tarana Yaman | Ronkini Gupta | F♯ Major | 4 | 2B | 110 BPM | ||
| Raga Dvijavanthi - Jaljaivanthi | A. Kanyakumari, Janardan Mitta | A♭ Minor | 9 | 1A | 87 BPM | ||
| In the Temples's Antechamber | Surajit Das, Lucyan | A♭ Minor | 4 | 1A | 101 BPM | ||
| Herat | Pejman Tadayon | B♭ Minor | 9 | 3A | 144 BPM | ||
| Bilaskhani Todi: Alap | Nikhil Banerjee | D Major | 1 | 10B | 133 BPM | ||
| Raag Nat Bhairav - Gat in Jhaptaal | Mayukh Gangopadhyay | F Major | 2 | 7B | 133 BPM | ||
| Raaga Bhairav - Dadra | Ronu Majumdar, Ajeet Pathak | E Major | 2 | 12B | 158 BPM | ||
| Ektaal | Zakir Hussain | F♯ Major | 9 | 2B | 133 BPM | ||
| Bhajan de Mira : Raga bhairavi | Lakshmi Shankar | E Major | 0 | 12B | 140 BPM | ||
| Folk Tune From Assam | Tarun Bhattacharya | A Major | 4 | 11B | 116 BPM | ||
| Raga Gauti | Vilayat Khan | D♭ Major | 5 | 3B | 165 BPM | ||
| Santoor Yaman | Bapu Padmanabha | F♯ Minor | 1 | 11A | 137 BPM | ||
| Alhaiya Bilaval | Shruti Sadolikar | D♭ Major | 4 | 3B | 150 BPM | ||
| Moh Maaya | Sage Mode | F Major | 2 | 7B | 133 BPM | ||
| Kriti: Padavini with Vina and Mrdangam | Trichy Sankaran | A♭ Major | 4 | 4B | 135 BPM | ||
| Romantic Flute-Gorakh Kalyan-Teen Taal | Milind Date | E Major | 6 | 12B | 170 BPM |