Shahid Parvez, SHASHANK's ' "Compostion In Aditaal" was released on its scheduled release date, January 25, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Shahid Parvez, SHASHANK's "Josh" album is number 4 out of 6. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Compostion In Aditaal is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Compostion In Aditaal by Shahid Parvez, SHASHANK to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhairavi Thumri: Alap | Nikhil Banerjee | D Major | 2 | 10B | 134 BPM | ||
| Life Is A Grand Romance | Bickram Ghosh | D Major | 8 | 10B | 83 BPM | ||
| Raga Maluha Kalyan - Jod | Nikhil Banerjee | D Major | 6 | 10B | 103 BPM | ||
| Tumhare Shehar Ka Mausam & Aaja Re Nindiya | Shujaat Khan | D Major | 3 | 10B | 109 BPM | ||
| Bhimpalasi | Shruti Sadolikar | D♭ Major | 4 | 3B | 177 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Niraval | Ranganayaki Rajagopalan, Raja Rao | F Minor | 5 | 4A | 164 BPM | ||
| Jaunpuri | Buddhadev DasGupta | F Minor | 4 | 4A | 112 BPM | ||
| Bhajan In Dadara, Humak Chala Ta Raam Chandra | Vishnu Digamba Palushkar, Ismail Sheikh, Linda Shanovitch, Baluji Shrivastav, Sarvar Sabri | B♭ Major | 6 | 6B | 122 BPM | ||
| Raga Aberi Track 07 | L. Shankar | B♭ Minor | 6 | 3A | 92 BPM | ||
| Nayan Ki Mat Maro Talwariya - Raga Bhairavi - Dadra Tala | Girija Devi | B♭ Major | 4 | 6B | 79 BPM | ||
| Dhun in Madhyam se Gara - Studio | Tejendra Majumdar, Swapan Chaudhuri | F Major | 2 | 7B | 101 BPM | ||
| Raga Nilambari - Gat in Vilambit Ektaal | N. Rajam, Zakir Hussain | B Minor | 3 | 10A | 130 BPM | ||
| Raga Bhairavi | Shivkumar Sharma | B♭ Major | 2 | 6B | 113 BPM | ||
| Kṛiti by Saint Tyāgarāja - Rāgam: Bilaharị | L. Subramaniam, Viji Subramaniam, T. H. Subashchandran, Poovalur V. Srinivasan | B Major | 1 | 1B | 133 BPM | ||
| Nila Kaigiradhu (Flute) | Flute Siva, Shashank Subramanyam, Patri Satish Kumar | D Major | 1 | 10B | 180 BPM | ||
| Aaji Bijan Ghare | Iman Halder | G Minor | 1 | 6A | 57 BPM | ||
| Rageshwari | Shahid Parvez | C Minor | 6 | 5A | 114 BPM | ||
| The Wanderlust Of Apu | Bickram Ghosh | D♭ Major | 4 | 3B | 180 BPM | ||
| Raga Abhogi | Veena Sahasrabuddhe | A Minor | 7 | 8A | 123 BPM | ||
| Bansuri & Tabla (Live) | Pandit Atul Shankar, Ravi Tripathi | G Major | 6 | 9B | 127 BPM | ||
| Raga Madhuvanti: Alap, Jor (Live) | Srdjan Beronja | D Major | 7 | 10B | 110 BPM | ||
| Sarod Jhinjhoti | Bapu Padmanabha | F♯ Minor | 1 | 11A | 137 BPM | ||
| Pranavaswaroopam - Raga Rushyaketupriya | Sri Ganapathy Sachchidananda Swamiji, L. Subramaniam | D Major | 5 | 10B | 81 BPM | ||
| Jhinjoti Madhya Laya Gat | Shahid Parvez | G Major | 3 | 9B | 109 BPM | ||
| Om Namah Shivaya - Instrumental | Acoustic Trips | E Major | 5 | 12B | 150 BPM |