Pagliacci, Act I: "Un tal gioco, credetemi" (Canio) by Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco Song Details

"Pagliacci, Act I: "Un tal gioco, credetemi" (Canio)" by Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco had its release date on December 12, 2014. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Pagliacci, Act I: "Un tal gioco, credetemi" (Canio)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco, Gabriella Tucci's "Leoncavallo: Pagliacci" album is number 4 out of 17. The popularity of Pagliacci, Act I: "Un tal gioco, credetemi" (Canio) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Pagliacci, Act I: "Un tal gioco, credetemi" (Canio) by Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

Music Key

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -21.285 dB
Acousticness: 95%
Danceability: 25%
Energy: 20%
Instrumentalness: 3%
Liveness: 52%
Loudness: 65%
Speechiness: 5%
Valence: 19%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Martha: M´apparì, tutt´amor	Carlo Bergonzi, Orchestra Sinfonica e Coro di Torino della RAI, Massimo Pradella	F Major	2	7B	68 BPM
La Cenerentola / Act 2: "Non più mesta"	Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly	E Major	3	12B	137 BPM
Turandot	Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma	F♯ Major	0	2B	84 BPM
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Marechiare	Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello	C Major	2	8B	132 BPM
Parla più piano	Nino Rota, Jonas Kaufmann, Orchestra del Teatro Massimo di Palermo, Asher Fisch, Palermo Teatro Massimo Orchestra	C Minor	1	5A	87 BPM
Cavalleria rusticana: Preludio	Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni	F Major	2	7B	88 BPM
Rondine al nido	Vincenzo de Crescenzo, Luciano Pavarotti, Andrea Griminelli, Henry Mancini, Unknown Orchestra	G Major	2	9B	174 BPM
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle"	Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis	D Major	2	10B	129 BPM
Lehár: Die lustige Witwe, Act 2: Vilja-Lied. "Es lebt' eine Vilja, ein Waldmägdelein" (Hanna)	Franz Lehár, Karita Mattila, Yutaka Sado, London Philharmonic Orchestra	G Major	1	9B	176 BPM
Tosca, Act 2: "Vissi d'arte"	Birgit Nilsson	E♭ Major	4	5B	135 BPM
Il valzer dell'organino	Leo Nucci, Salotto Ottocento Ensemble	F Major	2	7B	88 BPM
Cavalleria rusticana: "Regina coeli, laetare"	Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano	D Major	3	10B	108 BPM
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor"	Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni	G Major	2	9B	68 BPM
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie	Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner	C Minor	1	5A	83 BPM
L'elisir d'Amor: Una furtiva lagrima	Carlo Bergonzi	F Minor	3	4A	63 BPM
Pagliacci / Prologue: Prelude	Ruggero Leoncavallo, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre	G Major	0	9B	142 BPM
La bohème, Act II: Quando men vo – Fuori il danaro!	Giacomo Puccini, Elizabeth Harwood, Michel Sénéchal, Mirella Freni, Luciano Pavarotti, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	3	4B	182 BPM
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves)	Renato Cellini, Robert Shaw	A♭ Major	1	4B	168 BPM
Così fan tutte, K. 588 / Act I: "Soave sia il vento"	Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin	G Minor	1	6A	88 BPM