Roger Reynolds, John Ashbery's 'Text 4' had a release date set for 2002. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Roger Reynolds: Last Things, I Think, To Think About". In this album, this song's track order is #8. Based on our statistics, Text 4's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Text 4 by Roger Reynolds, John Ashbery having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano & Violoncello 26 | Irena And Vojtech Havlovi | E♭ Major | 0 | 5B | 69 BPM | ||
| Répons: Section 1 | Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain | A♭ Minor | 3 | 1A | 82 BPM | ||
| Phalanx Suite: Phalanx III | R.Kuhn, Rüdiger Edgar Kuhn | E Major | 2 | 12B | 88 BPM | ||
| Driftwood Beach | AC Welling | E♭ Minor | 0 | 2A | 74 BPM | ||
| Personae: The Advocate | Roger Reynolds, Gabriela Diaz, Gil Rose, Boston Modern Orchestra Project | B♭ Major | 1 | 6B | 90 BPM | ||
| Marimba & Vibraphone Concerto: III. Perpetuum Mobile - Live | Maya Badian, Ludmila Amelina, National Symphony Orchestra Tele-Radio Moldova | E♭ Minor | 0 | 2A | 74 BPM | ||
| Walking and slowly dancing together | Jalaapeno | B Minor | 0 | 10A | 92 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | E♭ Minor | 0 | 2A | 74 BPM | ||
| Shaker Loops: Pt. I, Shaking and Trembling | John Adams, Orchestra of St. Luke's | G Major | 1 | 9B | 153 BPM | ||
| 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
| From Ruins To Rise | Busta Dogo | F Minor | 4 | 4A | 92 BPM | ||
| Psalm | David Darling | F Major | 0 | 7B | 63 BPM | ||
| Crossing | Julia Kent | F Major | 0 | 7B | 51 BPM | ||
| The Unanswered Question | Charles Ives, Cincinnati Philharmonia Orchestra, Gerhard Samuel | C Major | 0 | 8B | 68 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Flight of The Angel (Behind The Mask) | Lauren Scott | E♭ Minor | 0 | 2A | 74 BPM | ||
| Tiento de falsas de 2º tono | Pablo Bruna, Montserrat Torrent | E Major | 2 | 12B | 116 BPM | ||
| 4'33 | John Cage, The King's Singers | N/A | N/A | N/A | 0 BPM | ||
| Danse Sayyid (No. 26) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner, Fernando Del Verme | G Minor | 2 | 6A | 74 BPM | ||
| Prepared Piano Prepared | R.Kuhn, Rüdiger Edgar Kuhn | B♭ Minor | 2 | 3A | 99 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone | Karol Szymanowski, Belcea Quartet | F♯ Minor | 1 | 11A | 83 BPM | ||
| Ave verum (Improvisation à l'orgue) | Thierry Mechler | F♯ Major | 0 | 2B | 132 BPM | ||
| Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do | James MacMillan, Britten Sinfonia, Polyphony, Stephen Layton | B Major | 2 | 1B | 80 BPM | ||
| The Viola in My Life I | Morton Feldman, Antoine Tamestit, Gürzenich Orchester Köln, Harry Ogg | D♭ Major | 1 | 3B | 134 BPM | ||
| PENSAMIENTOS | Maria Leonor Hernandez Duran | A Minor | 0 | 8A | 117 BPM |