"Symphony No. 2: Tranquillo" by Bournemouth Symphony Orchestra, Ned Rorem had its release date on August 30, 2003. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Ned Rorem: Three Symphonies". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Symphony No. 2: Tranquillo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 2: Tranquillo by Bournemouth Symphony Orchestra, Ned Rorem having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
| Serenata notturna in D Major, K. 239: I. Marcia (Maestoso) | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
| Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
| Adagio En Sol Mineur | Academy of St. Martin in the Fields, Iona Brown | C Minor | 2 | 5A | 74 BPM | ||
| The Last Night Of The World | Bournemouth Symphony Orchestra, Seann Alderking | D♭ Major | 1 | 3B | 69 BPM | ||
| The Moon | William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| Violin Concerto in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | G Major | 1 | 9B | 106 BPM | ||
| Messager: The Two Pigeons, Act 1: Dance of the Two Pigeons | André Messager, Bournemouth Symphony Orchestra, John Lanchbery | A Major | 2 | 11B | 132 BPM | ||
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Orquesta Sinfónica de Navarra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 107 BPM | ||
| Sibelius: Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Paavo Berglund/Bournemouth Symphony Orchestra, Paavo Berglund, Bournemouth Symphony Orchestra | D Major | 2 | 10B | 85 BPM | ||
| Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": III. Maestoso - Allegro | Camille Saint-Saëns, Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | D♭ Major | 1 | 3B | 110 BPM | ||
| Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz | Carl Orff, Janice Watson, James Bowman, Donald Maxwell, Bournemouth Symphony Chorus, Waynflete Singers, Highcliffe Junior Choir, Bournemouth Symphony Orchestra, David Hill | C Major | 2 | 8B | 142 BPM | ||
| Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
| 8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
| Pavane and Gigue (Arr. L. Stokowski for orchestra) | William Byrd, Bournemouth Symphony Orchestra, José Serebrier | A♭ Major | 1 | 4B | 95 BPM | ||
| Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
| Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Gautier Capuçon, Gabriela Montero | D♭ Major | 0 | 3B | 84 BPM | ||
| Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 86 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
| The Planets, Op. 32 Venus, The Bringer Of Pieace Adagio | George Hurst, Bournemouth Symphony Orchestra | F Minor | 1 | 4A | 86 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM |