John Rutter, Toronto Children's Chorus's 'Dancing Day- Part Ii - Tomorrow Shall Be My Dancing Dayi' had a release date set for 1991. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Dancing Day- Part Ii - Tomorrow Shall Be My Dancing Dayi's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 21 in Dancing Day by Toronto Children's Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Dancing Day- Part Ii - Tomorrow Shall Be My Dancing Dayi is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dancing Day- Part Ii - Tomorrow Shall Be My Dancing Dayi by John Rutter, Toronto Children's Chorus is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All Things Bright and Beautiful | John Rutter, City of London Sinfonia, The Cambridge Singers | A Minor | 3 | 8A | 116 BPM | ||
| Magnificat: VI. Esurientes | John Rutter, Patricia Forbes, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 71 BPM | ||
| O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 76 BPM | ||
| I Sat Down Under His Shadow | Edward Bairstow, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 134 BPM | ||
| Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | ||
| Ubi caritas | Paul Mealor, John Rutter, The Cambridge Singers, Alison Hill | D Major | 2 | 10B | 108 BPM | ||
| A Prayer | Richard Harvey, Estonian Philharmonic Chamber Choir, Heli Jürgenson | A Major | 1 | 11B | 82 BPM | ||
| No. 2, The Spring Time of the Year | Ralph Vaughan Williams, The Cambridge Singers, John Rutter | E Minor | 0 | 9A | 143 BPM | ||
| Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
| Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM | ||
| Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 136 BPM | ||
| Requiem: V. Confutatis | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Timothy Rhys-Evans, Gary Kettel | F Major | 1 | 7B | 145 BPM | ||
| Othello, Op. 79: II. Children's Intermezzo | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | F Major | 0 | 7B | 113 BPM | ||
| All-night Vigil, Op. 37: No. 14, Thou Didst Rise from the Tomb | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | E♭ Minor | 0 | 2A | 65 BPM | ||
| O filii et filiæ | Henrik Ødegaard, Vox Clamantis, Jaan-Eik Tulve | G Minor | 1 | 6A | 93 BPM | ||
| II. Mouvement de menuet | John Rutter, Manchester Camerata | D♭ Major | 1 | 3B | 80 BPM | ||
| Down by the Salley Gardens (Arr. for Choir & Orchestra by John Rutter) | Traditional, David Rix, City of London Sinfonia, John Rutter, The Cambridge Singers | B♭ Major | 2 | 6B | 80 BPM | ||
| Drop, Drop, Slow Tears | Orlando Gibbons, John Rutter, The Cambridge Singers | G Major | 1 | 9B | 133 BPM | ||
| To Morning | Gabriel Jackson, William Blake, The Choir of Magdalen College, Oxford, Mark Williams | C Major | 2 | 8B | 109 BPM | ||
| O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Inventions for Choir & Piano: No. 1, The Silence Moves | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | F Major | 2 | 7B | 89 BPM | ||
| Do Not Be Afraid | Philip Stopford, The Ecclesium Choir | D Major | 0 | 10B | 75 BPM | ||
| Loquebantur variis linguis | Thomas Tallis, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | ||
| A Red, Red Rose | James Mulholland, Kansas City Chorale, Charles Bruffy | D Major | 0 | 10B | 82 BPM |