On January 1, 2024, the song "You Never Told Me Love Hurts - Sped up + Reverb" was released by sped up and slowed down, Marcia Hines. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of You Never Told Me Love Hurts (Slowed + Sped up + Reverb) by sped up and slowed down, Marcia Hines. The song's track number on the album is #2 out of 3 tracks. The popularity of You Never Told Me Love Hurts - Sped up + Reverb is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since You Never Told Me Love Hurts - Sped up + Reverb by sped up and slowed down, Marcia Hines has a tempo of 184 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With You Never Told Me Love Hurts - Sped up + Reverb being at 184 BPM, the half-time would be 92 BPM with a double-time of 368 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aquarium | Emile Pandolfi | A Minor | 4 | 8A | 149 BPM | ||
| Le carnaval des animaux, R. 125: VII. Aquarium | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 4 | 8B | 104 BPM | ||
| A Fool For You - Slowed Down + Reverb | Bobby Powell, sped up and slowed down | A Major | 2 | 11B | 111 BPM | ||
| Cello Concerto, Op. 85 in E Minor: I. Adagio - Moderato | Edward Elgar, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | E Minor | 1 | 9A | 108 BPM | ||
| Chopin: Fantasie Impromptu #4 In C Sharp Minor, Op. 66 | London Festival Orchestra | D♭ Major | 1 | 3B | 90 BPM | ||
| Erik Satie: Gymnopédie No. 1 | Nokaru | G Major | 0 | 9B | 138 BPM | ||
| A Bed of Flowers | Million Eyes | F♯ Major | 0 | 2B | 69 BPM | ||
| Fly Robin Fly - Sped up + Reverb | sped up and slowed down, Silver Convention | C Minor | 8 | 5A | 127 BPM | ||
| 13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | G Major | 0 | 9B | 74 BPM | ||
| Came Up the Hard Way - Sped up + Reverb | sped up and slowed down, Eddy Clearwater | G Minor | 7 | 6A | 106 BPM | ||
| Brahms - Op.118 No.2 Intermezzo A major | Elena Kuschnerova | A Major | 0 | 11B | 67 BPM | ||
| Opera 28 n. 15: Preludio | Maurizio Mastrini | D♭ Major | 0 | 3B | 72 BPM | ||
| Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Hilary Hahn, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 95 BPM | ||
| First Rule of Cheating | sped up and slowed down, Roy Gaines, The Crusaders | C Minor | 6 | 5A | 97 BPM | ||
| Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
| 2 Pieces for Strings from Henry V: No. 2, Touch Her Soft Lips and Part | William Walton, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
| Nocturnes, Op. 9: No. 2 in E-Flat Major | Finghin Collins | B♭ Major | 0 | 6B | 101 BPM | ||
| Lyric Pieces Book VI, Op.57: 6. Heimweh | Edvard Grieg, Emil Gilels | E Minor | 0 | 9A | 140 BPM | ||
| Liebestraume No. 3 In A-flat Major (Nottorno No. 3) | Jean-Yves Thibaudet | A♭ Major | 0 | 4B | 72 BPM | ||
| Le carnaval des animaux, R. 125: XIII. Le Cygne | Camille Saint-Saëns, Neeme Järvi, Bergen Philharmonic Orchestra, Louis Lortie, Hélène Mercier | G Major | 0 | 9B | 92 BPM | ||
| Opus 23 | Dustin O'Halloran | F♯ Major | 1 | 2B | 101 BPM | ||
| I Never Had The One I Wanted - Sped up + Reverb | Claude Gray, sped up and slowed down | G Major | 7 | 9B | 139 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM |