"St. John Passion, Part I: Hymn: It Is A Thing Most Wonderful" by Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Jonathan Vaughn, Wells Cathedral Oratorio Society, Wells Cathedral Voluntary Choir, Matthew Owens had its release date on March 3, 2015. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. St. John Passion, Part I: Hymn: It Is A Thing Most Wonderful's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 17 in Bob Chilcott: St John Passion by Bob Chilcott, Wells Cathedral Choir, Jonathan Vaughn, Matthew Owens. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, St. John Passion, Part I: Hymn: It Is A Thing Most Wonderful is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. John Passion, Part I: Hymn: It Is A Thing Most Wonderful by Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Jonathan Vaughn, Wells Cathedral Oratorio Society, Wells Cathedral Voluntary Choir, Matthew Owens is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Collegium Regale Service, Evensong: II. Nunc dimittis | Herbert Howells, Stephen Layton, Owain Park, Jamie Roberts, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 84 BPM | ||
| There Will Be Rest | Frank Ticheli, Pacific Chorale, John Alexander | A Minor | 0 | 8A | 69 BPM | ||
| Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Were You There? (Arr. Bob Chilcott) | Traditional, Bob Chilcott, Cantillation, Antony Walker | B Minor | 1 | 10A | 75 BPM | ||
| When I survey the Wondrous Cross (from 'Five Passion Hymns') - SATB | Bob Chilcott, The Oxford Choir | E♭ Major | 2 | 5B | 130 BPM | ||
| Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 136 BPM | ||
| Carpe Diem | Franco Prinsloo, Vox Chamber Choir | B Major | 1 | 1B | 138 BPM | ||
| The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | ||
| Angel vopiyashe, Op. 22 No. 18 | Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, St. John's Voices | D Major | 1 | 10B | 83 BPM | ||
| Father All-Holy | Basilica of the National Shrine of the Immaculate Conception Choir | A♭ Major | 2 | 4B | 88 BPM | ||
| Like A Singing Bird | Traditional, Iain Farrington, The Sirens, Bob Chilcott | C Major | 7 | 8B | 75 BPM | ||
| Hush, no More (Sleep) | Henry Purcell, Sjaella | B Minor | 0 | 10A | 97 BPM | ||
| Retire My Soul | William Byrd, Stile Antico | D Minor | 1 | 7A | 58 BPM | ||
| Lo, in the Time Appointed (Liturgical Motet No. 7) | Healey Willan, Halifax Camerata Singers, Gayle h. Martin, Jeff Joudrey | B Major | 1 | 1B | 126 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Alleluia | Valentin Silvestrov, Ieva Ezeriete, Kārlis Rūtentāls, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 129 BPM | ||
| Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | ||
| Magi veniunt | Jacob Clemens non Papa, New York Polyphony | A♭ Minor | 1 | 1A | 81 BPM | ||
| Pat-a-Pan | Young Women's Chorus of San Francisco | A Minor | 1 | 8A | 87 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin Mother | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | G Minor | 0 | 6A | 144 BPM | ||
| Mass for unaccompanied double choir: III. Credo | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 1 | 9A | 129 BPM | ||
| The Call of Wisdom | Will Todd, The Choir Of St John's College, Oxford, Flora Sheldon, David Bannister | D Major | 0 | 10B | 121 BPM | ||
| Blessed Be That Maid Mary | St Martin's Voices | F Major | 1 | 7B | 88 BPM | ||
| Our Song - Arr. Dan Walker | Kate Miller-Heidke, Keir Nuttall, Gondwana Voices, Lyn Williams | G Minor | 1 | 6A | 80 BPM | ||
| Do szopy, hej, pasterze | Traditional Traditional, Dominikański Ośrodek Liturgiczny, Dorota Dąbrowska | F Major | 3 | 7B | 146 BPM | ||
| Christi crux | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM |