"Being Watched" by Marius Masalar had its release date on May 2, 2013. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 35 in the song's album "Star Command (Original Soundtrack)". In this album, this song's track order is #23. Being Watched is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Being Watched by Marius Masalar having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Realization | Kaptain, Stéphane Schott | C Major | 7 | 8B | 100 BPM | ||
| Don't Look Back | Daniel Dombrowsky | F♯ Minor | 10 | 11A | 152 BPM | ||
| Through the Scope | Avery Alexander | A Major | 7 | 11B | 174 BPM | ||
| Ready to Kick Some Doors | Cosmin Mirza | A♭ Major | 7 | 4B | 75 BPM | ||
| Ends of the Earth (Beachfront) | Zack Bower | C Major | 2 | 8B | 94 BPM | ||
| Desert Battle II | Hyperduck Soundworks | C Major | 6 | 8B | 110 BPM | ||
| Infiltration | Astowo | C Major | 5 | 8B | 170 BPM | ||
| Have at Thee! | Brandon McKagan | B♭ Major | 2 | 6B | 160 BPM | ||
| Maz Hatters | Resonant Tonality, Jarred Luke Blanton | D♭ Major | 7 | 3B | 120 BPM | ||
| Live Fire Exercise | Harry Callaghan | A Major | 6 | 11B | 140 BPM | ||
| Frank West | 奥河英樹 | F♯ Major | 4 | 2B | 113 BPM | ||
| Urban Darkness Part 08 | Bjørn Lynne | A♭ Major | 0 | 4B | 71 BPM | ||
| Flatten the Curve | Ndemic Creations, Marius Masalar | F Major | 4 | 7B | 110 BPM | ||
| Track 08 | MetatableIndex | G Major | 3 | 9B | 120 BPM | ||
| Forbidden Rites | Total Mayhem Games | D Minor | 6 | 7A | 80 BPM | ||
| Sentinels (Global Occult Coalition) | Resonant Tonality, Jarred Luke Blanton | B Major | 7 | 1B | 149 BPM | ||
| End Credits | Marius Masalar | A Major | 2 | 11B | 112 BPM | ||
| City in the Clouds | Marius Masalar | E Minor | 7 | 9A | 128 BPM | ||
| Resistance Shall Be Made | Avalanche Studios | D♭ Major | 6 | 3B | 160 BPM | ||
| Welcome to the Future | Harry Callaghan | E Major | 5 | 12B | 150 BPM | ||
| The Serpents Hand | ButedMesa | D Minor | 4 | 7A | 75 BPM | ||
| Finale | Samuel Laflamme | C Minor | 2 | 5A | 96 BPM | ||
| At a Time Like This | Nick D Brewer | A Minor | 7 | 8A | 100 BPM | ||
| The Foundation's Theme | Camelidea | C Minor | 7 | 5A | 130 BPM | ||
| No Friends | Mark J Hadley | C Major | 0 | 8B | 135 BPM |