"Verdi: Aida, Act 1: "Ritorna vincitor!" (Aida)" by Giuseppe Verdi, Riccardo Muti, Montserrat Caballé, New Philharmonia Orchestra had its release date on January 1, 1974. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Aida by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #9 out of 55 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Verdi: Aida, Act 1: "Ritorna vincitor!" (Aida) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aida, Act 1: "Ritorna vincitor!" (Aida) by Giuseppe Verdi, Riccardo Muti, Montserrat Caballé, New Philharmonia Orchestra has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Aida, Act 1: "Ritorna vincitor!" (Aida) being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bizet: Carmen, Act 3: "Ecoute, écoute, compagnon, écoute" (Chorus, Dancaïre, Remendado, José, Carmen, Mercédès, Frasquita) | Georges Bizet, Maria Callas/Nicolai Gedda/Nadine Sautereau/Jane Berbié/Jean-Paul Vauquelin/Maurice Maievski/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 111 BPM | ||
| Der fliegende Holländer, Act III: Willst jenen Tag du nicht dich mehr entsinnen "Cavatina" | Richard Wagner, René Kollo, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | ||
| Bellini: I puritani, Act 2: "Qui la voce sua soave" (Elvira) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Minor | 1 | 5A | 61 BPM | ||
| Carmen, Act III, No.24 Finale: Holà! holà! José (Carmen/Escamillo/Don José/Le Dancaïro) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Minor | 4 | 7A | 165 BPM | ||
| Otello, Act I: Roderigo, ebben che pensi? - Live in Chicago & New York, 1991 | Giuseppe Verdi, Leo Nucci, John Keyes, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Minor | 1 | 12A | 171 BPM | ||
| Ponchielli : La Gioconda : Act 2 "Cielo e mar" [Enzo] | Amilcare Ponchielli, Plácido Domingo, Nello Santi, Orchester der Deutschen Oper Berlin | E♭ Major | 3 | 5B | 146 BPM | ||
| Verdi: Il trovatore, Act 3: "Di quella pira, l'orrendo foco" (Manrico, Leonora, Ruiz, Chorus) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, Enrico Facini, Roberto Alagna, London Symphony Orchestra | F Major | 2 | 7B | 86 BPM | ||
| Carmen, Act III: Air: Je dis que rien ne m'épouvante (Micaëla) | Georges Bizet, Inva Mula/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 0 | 9B | 73 BPM | ||
| Agnus Dei | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | C Major | 0 | 8B | 88 BPM | ||
| I puritani, Act III: Credeasi, misera! - Live in Rome, 1969 | Vincenzo Bellini, Luciano Pavarotti, Mirella Freni, Bonaldo Giaiotti, Sesto Bruscantini, RAI Chorus Rome, RAI Symphony Orchestra Rome, Riccardo Muti | D Major | 0 | 10B | 88 BPM | ||
| La Gioconda / Act 1: Voce di donna ... a te questo rosario | Amilcare Ponchielli, Alfreda Hodgson, Montserrat Caballé, Agnes Baltsa, Regolo Romani, John del Carlo, Nicolai Ghiaurov, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | E♭ Major | 1 | 5B | 89 BPM | ||
| Wagner: Lohengrin, Act 1: "Des Ritters will ich wahren" (Elsa, Chor, König Heinrich) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow, Chor der Deutschen Oper Berlin, Karl Ridderbusch | D♭ Major | 2 | 3B | 180 BPM | ||
| Wagner: Lohengrin, Act 3: "Weh, nun ist aller Glück dahin!" (Lohengrin, Elsa) | Richard Wagner, Daniel Barenboim, Emily Magee, Peter Seiffert, Staatskapelle Berlin | C Major | 0 | 8B | 68 BPM | ||
| Norma (Ed. Biondi & Minasi), Act I Scene 1: Me protegge, me difende | Vincenzo Bellini, John Osborn, Reinaldo Macias, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | E♭ Major | 4 | 5B | 59 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Pagliacci, Act I: Prologue: Si puo? Si puo? | Ruggero Leoncavallo, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM | ||
| Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" | Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge | A Minor | 3 | 8A | 97 BPM | ||
| Beatrice di Tenda: Act I Scene 1: Ah! non pensar che pieno (Agnese, Filippo, Choir) | Vincenzo Bellini, Camille Capasso, Fabio Luisi, Paolo Gavanelli, Chorus of the German Opera House Berlin, German Opera House Berlin Orchestra | A♭ Major | 1 | 4B | 101 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act I: "Slikhali l vi za roschei glas nochnoi" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Ruthild Engert-Ely, Rosemarie Lang, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Wagner: Der fliegende Holländer, WWV 63, Act 2: "Auf hohem Felsen lag ich träumend" (Erik, Senta) | Richard Wagner, Otto Klemperer, Anja Silja, Ernst Kozub, New Philharmonia Orchestra | B♭ Major | 2 | 6B | 73 BPM | ||
| I Capuleti e i Montecchi: Eccomi in lieta vesta / Act 1: Eccomi in lieta vesta - Live | Vincenzo Bellini, Anna Netrebko, Wiener Symphoniker, Fabio Luisi | F Major | 2 | 7B | 86 BPM | ||
| La Gioconda / Act 2: Pescator, affonda l'esca | Amilcare Ponchielli, Sherrill Milnes, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | C Minor | 2 | 5A | 92 BPM | ||
| Messa da Requiem: I. Requiem - Kyrie | Giuseppe Verdi, Krassimira Stoyanova, Marina Prudenskaya, Charles Castronovo, Georg Zeppenfeld, Sächsischer Staatsopernchor Dresden, Staatskapelle Dresden, Christian Thielemann | A Major | 3 | 11B | 79 BPM | ||
| Norma (Ed. Biondi & Minasi), Act I Scene 1: Va, crudele, al Dio spietato | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | ||
| Rossini: Guillaume Tell, Act 4: Final. "Pourquoi ta présence, ô mon père !" (Arnold, Guillaume, Hedwige, Jemmy, Mathilde, Gessler, Walter, Chœur) | Gioachino Rossini, Lamberto Gardelli, Ambrosian Opera Chorus, Gabriel Bacquier, Jocelyne Taillon, Kolos Kovacs, Louis Hendrikx, Mady Mesplé, Montserrat Caballé, Nicolai Gedda, Royal Philharmonic Orchestra | C Major | 2 | 8B | 78 BPM |