Giuseppe Verdi, Leo Nucci, John Keyes, Chicago Symphony Orchestra, Sir Georg Solti's ' "Otello, Act I: Roderigo, ebben che pensi? - Live in Chicago & New York, 1991" was released on its scheduled release date, January 1, 1991. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Otello, Act I: Roderigo, ebben che pensi? - Live in Chicago & New York, 1991's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Otello by Giuseppe Verdi, Kiri Te Kanawa, Luciano Pavarotti, Anthony Rolfe Johnson, Leo Nucci, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti. The song's track number on the album is #3 out of 45 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Otello, Act I: Roderigo, ebben che pensi? - Live in Chicago & New York, 1991 is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Otello, Act I: Roderigo, ebben che pensi? - Live in Chicago & New York, 1991 by Giuseppe Verdi, Leo Nucci, John Keyes, Chicago Symphony Orchestra, Sir Georg Solti has a tempo of 171 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Otello, Act I: Roderigo, ebben che pensi? - Live in Chicago & New York, 1991 being at 171 BPM, the half-time would be 86 BPM with a double-time of 342 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'elisir d'amore / Act 1: "Tran, tran, tran, tran - In guerra ed in amor" | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | C Major | 3 | 8B | 90 BPM | ||
| L'elisir d'amore / Act 2: "La donna è un animale...Venti scudi" | Gaetano Donizetti, Dominic Cossa, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | A Major | 1 | 11B | 74 BPM | ||
| Tosca, Act I: Eccellenza, vado? – Gente là dentro! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Giorgi Manoshvili, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Otello, Act I: Roderigo, ebben che pensi? - Live in Chicago & New York, 1991 | Giuseppe Verdi, Leo Nucci, John Keyes, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Minor | 1 | 12A | 171 BPM | ||
| Pagliacci / Act 1: "Son qua! Ritornano" - Live | Ruggero Leoncavallo, Westminster Symphonic Choir, Philadelphia Boys Choir, Luciano Pavarotti, Ernesto Gavazzi, Philadelphia Orchestra, Riccardo Muti | E♭ Major | 4 | 5B | 122 BPM | ||
| Die Entführung aus dem Serail / Act 1: "Wer ein Liebchen hat gefunden" - "Verwünscht seist du samt deinem Liede!" | Wolfgang Amadeus Mozart, Gösta Winbergh, Martti Talvela, Heinz Zednik, Wiener Philharmoniker, Sir Georg Solti | G Minor | 2 | 6A | 82 BPM | ||
| Der fliegende Holländer, Act I: Die Frist ist um | Richard Wagner, Norman Bailey, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 3 | 4B | 83 BPM | ||
| Bellini: I puritani: "Il rival salvar tu die" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: III. Infirma nostri corporis I - IV. Tempo - V. Infirma nostri corporis II | Gustav Mahler, Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Wiener Staatsopernchor, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 1 | 9B | 91 BPM | ||
| Lucia di Lammermoor / Act 2: "Al ben de'tuoi qual vittima" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
| Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Francesco Toma, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 150 BPM | ||
| Bellini: I puritani: "Caro, non ho parola ch’esprima il mio contento" (Elvira, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Mozart: Così fan tutte, K. 588, Act 1: Terzetto. "É la fede delle femmine" (Ferrando, Don Alfonso, Guglielmo) | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra, Deon Van Der Walt, Gilles Cachemaille, Thomas Hampson | D Major | 0 | 10B | 113 BPM | ||
| Der fliegende Holländer, WWV 63 / Act 1: "Mit Gewitter und Sturm aus fernem Meer" | Richard Wagner, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | ||
| Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
| Tosca, Act I: Mario! Mario! Mario! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Otello: Fuoco di gioia | Giuseppe Verdi, Oviedo Filarmonía, Friedrich Haider, Orfeon Donostiarra, Los Peques del León de Oro | E Minor | 1 | 9A | 129 BPM | ||
| Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | ||
| Puccini: Turandot, Act 1: "Ah! per l’ultima volta!" (Timur, Liù, Coro, Calaf, Ping) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Jonas Kaufmann, Mattia Olivieri, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 3 | 4B | 165 BPM | ||
| Il Barbiere di Siviglia: Gente indiscreta! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied" | Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 85 BPM | ||
| Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
| Il Barbiere di Siviglia: Mi par d'esser con la testa - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | F♯ Major | 5 | 2B | 86 BPM | ||
| Suor Angelica: Ho un desiderio anch'io! | Giacomo Puccini, Della Jones, Isobel Buchanan, Dame Joan Sutherland, Miriam Bowen, Janet Price, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM |