Max Schultz, Erik Söderlind's 'Bossa for Pat Metheny' had a release date set for October 1, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 14 in Dedications by Max Schultz, Erik Söderlind. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. The popularity of Bossa for Pat Metheny is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bossa for Pat Metheny by Max Schultz, Erik Söderlind is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Encoer | Markus Stockhausen | D Minor | 3 | 7A | 125 BPM | ||
| Still crazy after all these years | Jenny Öhman, Johan Alenius, Petter Gunnarsson, Leo Lindberg, Jonas Bäckman, Max Schultz | A Minor | 4 | 8A | 133 BPM | ||
| Footsteps in the Rain | Callum Norwich | A Major | 1 | 11B | 76 BPM | ||
| Austin | Marcin Wasilewski Trio, Joakim Milder | C Minor | 0 | 5A | 120 BPM | ||
| Clouds Moving | Anat Fort Trio | C Major | 4 | 8B | 152 BPM | ||
| In a Different Way | Lyle Brewer | B♭ Major | 2 | 6B | 87 BPM | ||
| Forever ... | Andy Sheppard Quartet | A Minor | 0 | 8A | 80 BPM | ||
| Rainboot Sequence | Pause in Processing_ | F♯ Major | 1 | 2B | 93 BPM | ||
| Shine And Blue | Manu Katché | B♭ Minor | 4 | 3A | 104 BPM | ||
| Blues for W N | Max Schultz Trio, Max Schultz, Leo Lindberg, Chris Montgomery | A Major | 5 | 11B | 96 BPM | ||
| Efterår | Chris Minh Doky, Jonas Johansen, Peter Rosendal | C Minor | 1 | 5A | 115 BPM | ||
| Clube da Esquina No. 1 | Mike Moreno, L. Borges, Doug Weiss, Kendrick Scott | F♯ Minor | 1 | 11A | 104 BPM | ||
| Paul Motian (2) | Anat Fort Trio | D Major | 1 | 10B | 134 BPM | ||
| Kim's Corner | Bengt Berger, Jonas Knutsson, Christian Spering, Max Schultz | F Minor | 4 | 4A | 93 BPM | ||
| Impromptu Romance | Thermon Gendler | C Major | 0 | 8B | 118 BPM | ||
| Dancink in a Shadows | LiftMachine | D Major | 2 | 10B | 124 BPM | ||
| It’s OK | Anna Gréta | D♭ Major | 2 | 3B | 114 BPM | ||
| Standing Where the Changes Begin | Christina Gustafsson, Max Schultz, Erik Söderlind, Martin Hoper, Calle Rasmusson | G Major | 5 | 9B | 164 BPM | ||
| Stormy Weather | Christina Gustafsson, Max Schultz, Erik Söderlind, Martin Hoper, Calle Rasmusson | G Major | 4 | 9B | 91 BPM | ||
| Long Distance | Alec Carrilo | C Major | 0 | 8B | 125 BPM | ||
| Over the Hill | Bengt Berger, Mats Öberg, Max Schultz, Livet Nord, Stefan Bellnas, Jonas Knutsson, Thomas Gustafsson, Sir Thomas Jäderlund, Goran Klinghagen | C Minor | 4 | 5A | 94 BPM | ||
| We Shall Not Be Moved | Barbara Hendricks, Mathias Algotsson, Ulf Englund, Max Schultz | F Major | 2 | 7B | 79 BPM | ||
| Lyttelä Paradise | Petter Bergander Trio | C Major | 2 | 8B | 101 BPM | ||
| From Afar | Julia Hülsmann Trio | C Minor | 2 | 5A | 98 BPM | ||
| Far away | Max Schultz Trio, Max Schultz, Leo Lindberg, Chris Montgomery | A♭ Minor | 6 | 1A | 113 BPM |