On July 24, 2013, the song "Metla Pata" was released by Sri Parupalli Ranganath. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 9 in Ayyappa Bhajans by PS Charan, Sri Parupalli Ranganath. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Metla Pata's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Metla Pata by Sri Parupalli Ranganath is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swamiye Saranamayyappa Slokam | Sri Parupalli Ranganath | F Minor | 5 | 4A | 201 BPM | ||
| Gal Gal Sappulla Sri Kanaka Durga | Vadlakonda Anil Kumar, G.L.Namdev | G Major | 4 | 9B | 108 BPM | ||
| Ganesha Stotram | S.P. Balu | F Major | 5 | 7B | 132 BPM | ||
| Navarasamuladi | Nithya Santhoshini | E Major | 6 | 12B | 142 BPM | ||
| Amma Needu | Vani Jairam, K. V. Mahadevan, Rajasri | F Major | 7 | 7B | 101 BPM | ||
| Sri Karamou Sri Ramanamam | P. Susheela, B. Vasantha | F Major | 7 | 7B | 109 BPM | ||
| Rama Chandruditadu | RG Sarathee, Sravya Attili, Srinidhi, Annamacharya | C Minor | 4 | 5A | 117 BPM | ||
| Adigo Bhadradri | Parupalli Sri Ranganath | C Major | 8 | 8B | 134 BPM | ||
| Rama Jayam Yennum | Gayathri Girish | D Major | 4 | 10B | 95 BPM | ||
| Sarileru Neeku | Partha Saradhi | B♭ Major | 5 | 6B | 99 BPM | ||
| Thiruveedhula | G Balakrishna Prasad | F Major | 5 | 7B | 132 BPM | ||
| Ganapati Sarnam | Parupalli Ranganath | A Major | 7 | 11B | 77 BPM | ||
| Chirala Chilaka | P. Susheela, Raj Seetharam | F Minor | 6 | 4A | 102 BPM | ||
| Cheppaledhantanaka | V. Ramakrishna | F Major | 5 | 7B | 83 BPM | ||
| Jatatavigalajjala Pravahapavitasthale | S. P. Balasubrahmanyam, Purshottama Sai | B♭ Major | 6 | 6B | 166 BPM | ||
| Agara Mudhalena | Magantharen Balakisten | G Minor | 6 | 6A | 77 BPM | ||
| Metla Pata | Sri Parupalli Ranganath | A Minor | 5 | 8A | 127 BPM | ||
| Adhigadhigo Sri Sailam | P. Susheela | C Minor | 8 | 5A | 167 BPM | ||
| Ksheerabdhi Kanyakaku | G. Balakrishna Prasad | F Major | 5 | 7B | 114 BPM | ||
| Annavaram Manasasmarami | Parupalli Ranganadh | G Minor | 6 | 6A | 180 BPM | ||
| Srihari Manohari Queen of Fortune | Dr. Josyabhatla, Pavani Vasa, Radhika Madhuri | E Minor | 5 | 9A | 166 BPM | ||
| Vijaya Lakshmi | S. Janaki, Priya Sisters | B♭ Minor | 5 | 3A | 138 BPM | ||
| Siva Govinda Govinda, Pt. 2 | V. Ramakrishna | C Major | 5 | 8B | 113 BPM | ||
| Radha Ramana | Ghantasala, S. Janaki, L. V. Krishna | D♭ Minor | 3 | 12A | 91 BPM | ||
| Margazhi Thingal - Nithyasree Mahadevan | Nithyasree Mahadevan | A♭ Major | 6 | 4B | 164 BPM |