Mathurbhai Kanjariya's ' "Janan Janan Jalar Vage" was released on its scheduled release date, January 2, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 6 in Dasi Jivan by Mathurbhai Kanjariya. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Janan Janan Jalar Vage is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Janan Janan Jalar Vage by Mathurbhai Kanjariya is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sadguruji Charno Ma Lejo | Raghuram Dudhrejiya | G Major | 7 | 9B | 142 BPM | ||
| Mhara Hariya Ban Ra Suvtiya | prakashdasswamiofficial | F♯ Major | 8 | 2B | 144 BPM | ||
| Lili Chundadi Odhi Re Nisrya | Master Rana | F Minor | 6 | 4A | 90 BPM | ||
| Naman Hu Karu | Shree Swaminarayan Mandir Kalupur | B Major | 3 | 1B | 110 BPM | ||
| Vijadi Ne Chamkare | Damyanti Bardai | F Minor | 8 | 4A | 103 BPM | ||
| Bum Bum Shiv Laheri | Yogeshpuri Goswami, Ramdas Gondaliya | B Major | 6 | 1B | 87 BPM | ||
| Sadhu Tero Sangado Na Chhodu | Raghuram Dudharejiya | D Major | 7 | 10B | 101 BPM | ||
| Bapa Bajrangdas Vina Bagdana | Farida Mir | B♭ Major | 9 | 6B | 160 BPM | ||
| Jay Ganesh Gannath Dayanidhi | NARAYANSWAMI | C Major | 7 | 8B | 117 BPM | ||
| Pooriya Dhanashri | Baps Swaminarayan Sanstha | B Major | 5 | 1B | 144 BPM | ||
| SHRI VALLBH VALLABH GAVO | Nidhi Dholkiya | F♯ Major | 6 | 2B | 96 BPM | ||
| Nirvikalp Uttam Ati | Swami Shree Chhapaiyaprakashdasji | C Major | 4 | 8B | 83 BPM | ||
| Sanka Re Padi Ne Avdu Sujyu | Mathurbhai Kanjariya | F♯ Major | 6 | 2B | 101 BPM | ||
| Tu Rangai Jane Bholanath Na Rang Ma | Arvind Barot, Bhavna Rana | F♯ Major | 6 | 2B | 101 BPM | ||
| Chhand Aadi Shiv Om Kar | Suresh Raval, Mathurbhai Kanjariya | E Major | 5 | 12B | 95 BPM | ||
| Kahe Chhe Bhakto Amar Chhe | Ishvardan Gadhavi, Gagan Jethva, Suresh Rawal, Nitin Devka, Bhadrayu Dholkiya, Farida Mir, Nidhi Dholkiya, Jayshree Das | D♭ Major | 6 | 3B | 80 BPM | ||
| Hari Tu Gadu Maru Kya Lai Jay | Mathur Kanjariya | F♯ Minor | 8 | 11A | 91 BPM | ||
| Ganesh Pat Besadiye | Pankaj Panchal | F Minor | 6 | 4A | 102 BPM | ||
| Sohini | Baps Swaminarayan Sanstha | B Minor | 5 | 10A | 85 BPM | ||
| Kan Tari Moraliye Mohine | Bhikhudan Gadhvi | E♭ Minor | 7 | 2A | 139 BPM | ||
| Ae Sayaji Amane Dar To Lagyo Re Ek Dan | Damyanti Bardai | E Major | 6 | 12B | 174 BPM | ||
| Paradesi Gori Mane Lovelatter Lakhaje | Kamlesh Barot | F♯ Minor | 9 | 11A | 128 BPM | ||
| Lagani Laagi Mara Ram Ni | Jamunaben Godaliya | A♭ Major | 5 | 4B | 110 BPM | ||
| He Anandno Avsario | Baps Swaminarayan Sanstha | D♭ Major | 7 | 3B | 142 BPM | ||
| Barnai Baleharnai Lakh Barea ¬ Bhai Maninder Singh Ji | Bhai Maninder Singh Ji Hazuri Ragi, North Kirtan Studio | D Minor | 5 | 7A | 133 BPM |