The Rake's Progress, Act I Scene 3: Introduction by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft Song Details

Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft's ' "The Rake's Progress, Act I Scene 3: Introduction" was released on its scheduled release date, May 26, 2009. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Rake's Progress, Act I Scene 3: Introduction is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With The Rake's Progress, Act I Scene 3: Introduction by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -21.165 dB
Acousticness: 97%
Danceability: 41%
Energy: 18%
Instrumentalness: 0%
Liveness: 43%
Loudness: 65%
Speechiness: 6%
Valence: 54%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	A Major	1	11B	96 BPM
Apollon musagète, K48: I. Birth of Apollo	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	B Minor	1	10A	86 BPM
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	E Minor	1	9A	125 BPM
Piano Concerto No. 1 in C Minor, Op 33: I. Allegro	Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra	G Major	2	9B	79 BPM
The Rite of Spring, K15, Pt. 1: IV. Spring Rounds	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	B♭ Minor	0	3A	61 BPM
Aleko: Intermezzo	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	B♭ Major	0	6B	90 BPM
Pelléas et Mélisande, Suite, Op. 46: I. At the Castle Gate	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	G Major	1	9B	92 BPM
Capriccio espagnol, Op. 34: II. Variations	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	F Major	0	7B	92 BPM
String Quartet No.2 in D Major	Alexander Borodin, Borodin Quartet	D Major	1	10B	174 BPM
The Crown of India, Op. 66: March of the Mogul Emperors	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	B Minor	4	10A	90 BPM
Pictures at an Exhibition (Orch. Ravel): VI. Samuel Goldenberg und Schmuÿle	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F♯ Minor	1	11A	114 BPM
Samson et Dalila: Bacchanale	Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist	D Minor	1	7A	122 BPM
Scheherazade: Calm at Sea	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Major	2	12B	84 BPM
L'Arlésienne Suite No. 1, WD 40: IV. Carillon	Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan	E Major	0	12B	65 BPM
Violin Concerto: II. Sonata	Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs	G Minor	2	6A	94 BPM
Symphony No. 1, Op. 9: III. Andante tranquillo	Samuel Barber, Leonard Slatkin, St. Louis Symphony	B♭ Major	3	6B	93 BPM
Petrouchka / Tableau I: Fête populaire de la semaine grasse	Igor Stravinsky, Cleveland Orchestra, Pierre Boulez	D Minor	2	7A	116 BPM
Preludes: Le nombre leger (The Light Number)	Olivier Messiaen, Håkon Austbø	B Major	1	1B	68 BPM
Japanese Suite, Op. 33, H. 126: I. Prelude. Song of the Fisherman	Gustav Holst, Ulster Orchestra, Joann Falletta	C Minor	3	5A	103 BPM
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55: II. Andantino semplice - Prestissimo - Tempo I - Live at Philharmonie, Berlin	Pyotr Ilyich Tchaikovsky, Evgeny Kissin, Berliner Philharmoniker, Herbert von Karajan	D♭ Major	0	3B	80 BPM
Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto – Allegro	Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan	C Minor	2	5A	116 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 3 in F Major. Allegretto (Orch. Brahms)	Johannes Brahms, Wiener Philharmoniker, Claudio Abbado	F Major	0	7B	77 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	D Major	1	10B	82 BPM
St. Paul's Suite, Op. 29 No. 2: III. Intermezzo	Gustav Holst, English Sinfonia, Howard Griffiths	E Minor	1	9A	131 BPM
Prélude in C-Sharp Minor, Op. 3, No. 2	Sergei Rachmaninoff	F♯ Minor	1	11A	115 BPM