On September 25, 2005, the song "Banna Aap Gaya Pardesha Rajasthani Song" was released by Ramesh Mali, Tara Purohit. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in Ramesh Mali, Tara Purohit's "Kem Re Kem Banada Rajasthani Vivah Geet" album is number 7 out of 9. On top of that, France appears to be the country where this track was created. In terms of popularity, Banna Aap Gaya Pardesha Rajasthani Song is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Banna Aap Gaya Pardesha Rajasthani Song by Ramesh Mali, Tara Purohit to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| nave nave saje mata madmi manda ( sa rela sa ) | Mamta Uikey, Madhu Evane | C Major | 8 | 8B | 152 BPM | ||
| Salasar Ra Mandir Me Hanuman Biraje | Chotu Singh Rawna | A♭ Major | 8 | 4B | 90 BPM | ||
| Aavo Mataji Chapriya Maa | Neeta Nayak, Ramesh Mali | B♭ Minor | 9 | 3A | 77 BPM | ||
| Mhane Chod Mat Javo Raja Bharatri | Sant Kanhaiyalal | E♭ Minor | 9 | 2A | 122 BPM | ||
| Khetlaji Helo Sunjyo | Ramesh Mali | D♭ Major | 9 | 3B | 93 BPM | ||
| gunti khole ne bare kad binjara | Anita Jangid | A♭ Major | 9 | 4B | 106 BPM | ||
| Raji Raji Bol L Tu | Manish Fagna | A♭ Minor | 9 | 1A | 110 BPM | ||
| Dadu Mhra Ser Ka Taj | Jeta Goswami | A♭ Major | 8 | 4B | 140 BPM | ||
| Jhina Jhina Ghughra Dashama | Ramesh Mali | A♭ Major | 9 | 4B | 106 BPM | ||
| Jaag Re Manva | Sumit Kalanaur | F♯ Major | 4 | 2B | 116 BPM | ||
| Ram Naam Ladudo Gopal | Moinuddin Manchala | E♭ Minor | 9 | 2A | 95 BPM | ||
| Mhe To Chalya Mhare Gav Baba Thane Ram Ram | Kapil Indoria | B Major | 7 | 1B | 176 BPM | ||
| Sunjo Ram Runiche Wala Kali Gadi Lani Hai | Ramesh Mali | D♭ Major | 8 | 3B | 92 BPM | ||
| Kahe Narhari | Prakash Mali | F♯ Major | 7 | 2B | 117 BPM | ||
| Guru Gorakh Aaye Dhune pe rang jamaya | Mahender bhatti | F Major | 9 | 7B | 169 BPM | ||
| kalara ch thada bajda | Ashu Verma | E♭ Major | 8 | 5B | 94 BPM | ||
| Lele Lavo Mankho Fer Na Mile | Shankar Tak, Anita Jangid | C Major | 8 | 8B | 112 BPM | ||
| Men Toh Dhundat Dolun Hai Satguru Pyare Ki Nagaria | Radha Swami Satsang Dinod | B♭ Minor | 9 | 3A | 177 BPM | ||
| Mara Bajrang Bala bhakta upr chatr chaya rakh jo | Hemraj Saini | F Minor | 9 | 4A | 91 BPM | ||
| Sanwara Mandfiya Me Aayo Kismat Khol De | Ratan Rao | F♯ Major | 10 | 2B | 170 BPM | ||
| Purv Janm Ka Bhag Khuliya | Jalal Khan | D Major | 10 | 10B | 130 BPM | ||
| Man Lago Mero Yaar Fakiri Me | Gopal Sadhu | C Major | 10 | 8B | 96 BPM | ||
| Mhari Lal Banni | Tara Purohit, Ramesh Mali | F Minor | 9 | 4A | 100 BPM | ||
| Uncho Deval Devi Ro Ujalo Bhadriya Ray Bhajan | Bhanwar Singh Pilap | G Major | 9 | 9B | 94 BPM | ||
| Aaj Badhaiya Baaj Rahi | Rajendra Vyas | D♭ Minor | 8 | 12A | 109 BPM |