On January 1, 1999, the song "Bhajuom Jai Jagadambe Ro Naam" was released by Tapsiram Rathod. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 8 in Banjara Bhakti Bhajan, Pt. 2 by Tapsiram Rathod. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Bhajuom Jai Jagadambe Ro Naam's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bhajuom Jai Jagadambe Ro Naam by Tapsiram Rathod is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yedamaicha Yeda | Chandan Kamble | F♯ Major | 9 | 2B | 140 BPM | ||
| Majhya Bhimachya Navavar | Milind Shinde | A Minor | 7 | 8A | 88 BPM | ||
| Husei bhilaiya pahala gairo seikh | Vaishali Samant, Tapsiram Rathod | F Major | 7 | 7B | 160 BPM | ||
| Kannada Naadige Baaro Nee | Sundar | C Major | 8 | 8B | 84 BPM | ||
| Mujhe Leke Chalo Na Khatu Ji Ke Mele Mein | Rudransh | E Major | 6 | 12B | 83 BPM | ||
| Aajhu Ke Raati | Anurag Anand | B♭ Minor | 4 | 3A | 163 BPM | ||
| Om Namah Shivay | Kumar Satyamm | E♭ Major | 3 | 5B | 140 BPM | ||
| Najaret Aaj Bharli Hi Tuzi N Mazi Jodi | Sandeep More | G Major | 8 | 9B | 62 BPM | ||
| Tu Miss Call Karatijo | Dattaram Aade | F Major | 7 | 7B | 126 BPM | ||
| Ghayal Vhaina Mana Dil Radi Radi Na | Bhaiya More | B Major | 8 | 1B | 165 BPM | ||
| Tu Dhoka Ga Dila | Kishor Jawale | D Minor | 8 | 7A | 82 BPM | ||
| Zindagi Mani Hai Tuna Naav Se | Jagdish Sandhanshiv, Anjana Barlekar | A Major | 9 | 11B | 122 BPM | ||
| Yedamai Tuz Nav | Chandan Kamble | C Minor | 8 | 5A | 117 BPM | ||
| Devadikala Gham Futala | Akash Shinde | A♭ Minor | 9 | 1A | 110 BPM | ||
| Jaau Saarangya Bagaat | Anand Shinde, Milind Shinde | F♯ Major | 5 | 2B | 107 BPM | ||
| Tota Mainajasi Ye Jodi | Shahin Shaikh, Dattaram | A♭ Major | 4 | 4B | 129 BPM | ||
| Tichya Isharyavar Nachnara Hoto Bhavla | Kishor Jawale | F♯ Major | 9 | 2B | 120 BPM | ||
| Nay Mi Bhagyawan | Chandan Kamble | B Minor | 9 | 10A | 127 BPM | ||
| Nakhwa Majha Daryacha Raja | Jagdish Patil | F♯ Major | 8 | 2B | 116 BPM | ||
| Dhund Zalo | kiran Adagale | D♭ Major | 9 | 3B | 101 BPM | ||
| Sastee Lavalee Ze Ra Sayaba | Uttara Kelkar, Kavita Shinde, Eknath Mali, Shashikant Mumbare, Ganesh Bhagat | D♭ Major | 9 | 3B | 175 BPM | ||
| Mazya Laganachi Kara Ghay | Reshma Sonavane, Eknath Mali, Bandya Pawar, Arjun Patil, Kavita Shinde, Vaman Koli, Kiran Dhole, Sainath Tare, Sushma More | D♭ Major | 10 | 3B | 107 BPM | ||
| Dilwa Kekra Se Lagal Ba | Karina Pandey, Hena Pandey | E♭ Minor | 4 | 2A | 92 BPM | ||
| Guruvina Roopadinda | Surekha, Shamitha | D Major | 6 | 10B | 113 BPM | ||
| Javed Singer Mewati SR 1170 | Javed Singer Mewati | B♭ Minor | 9 | 3A | 115 BPM |