Rachel Portman's 'Heavy Rescue' had a release date set for April 21, 2017. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Their Finest (Original Motion Picture Soundtrack)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Heavy Rescue's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Heavy Rescue by Rachel Portman having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elizabeth - Original Motion Picture Soundtrack: Love Theme | David Hirschfelder, Unknown Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
| Main Title (From "Chocolat" Soundtrack) | Rachel Portman | D Minor | 0 | 7A | 70 BPM | ||
| Resurgam | Anne Dudley, The Chamber Orchestra Of London | F Minor | 2 | 4A | 49 BPM | ||
| Ride to Death | Carter Burwell | G Major | 0 | 9B | 83 BPM | ||
| The Orange Tree | Philip Glass | G Minor | 2 | 6A | 105 BPM | ||
| Twenty Years Later (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan | G Minor | 1 | 6A | 48 BPM | ||
| The Pier (from "Never Let Me Go", Arr. for Piano & Cello) | Rachel Portman, Raphaela Gromes | E Minor | 1 | 9A | 84 BPM | ||
| Eternal Love | Abel Korzeniowski | G Major | 3 | 9B | 89 BPM | ||
| Saying Goodbye - Piano Solo | Bryce Dessner, Aaron Dessner, Víkingur Ólafsson | F♯ Minor | 1 | 11A | 109 BPM | ||
| Clifftop Prelude | Stuart Earl | A Major | 2 | 11B | 65 BPM | ||
| Colette’s Journey | Thomas Adès | A Major | 2 | 11B | 89 BPM | ||
| Humility and Love | Christopher Young | F Minor | 1 | 4A | 81 BPM | ||
| Cross tempo | Andrea Guerra | A♭ Major | 0 | 4B | 82 BPM | ||
| Rebecca | Ingo Ludwig Frenzel | F Major | 0 | 7B | 71 BPM | ||
| You Would Be My Wife | Rachel Portman | G Major | 1 | 9B | 84 BPM | ||
| Table For Two | Abel Korzeniowski | B♭ Minor | 1 | 3A | 132 BPM | ||
| Recovery | Nigel Westlake | B Minor | 1 | 10A | 77 BPM | ||
| We'll Be #1 | William Ross | B♭ Major | 1 | 6B | 122 BPM | ||
| Hometown Hero | William Ross | A♭ Major | 1 | 4B | 79 BPM | ||
| Lowry’s Theme | Craig Armstrong | D Minor | 2 | 7A | 120 BPM | ||
| Frank Gehry | Mark Isham | F Major | 0 | 7B | 66 BPM | ||
| A Steep But Beautiful Climb | Randy Edelman | C Major | 1 | 8B | 81 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| To the Cottages | Rachel Portman | E Minor | 1 | 9A | 124 BPM |