"Enigma Variations, Op. 36: Variation IX. Adagio "Nimrod" - Arr. for String Quartet by Christoph Slenczka" by Edward Elgar, Barbican Quartet had its release date on January 23, 2026. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 4 in Enigma Variations, Op. 36: Nimrod by Barbican Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Enigma Variations, Op. 36: Variation IX. Adagio "Nimrod" - Arr. for String Quartet by Christoph Slenczka is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations, Op. 36: Variation IX. Adagio "Nimrod" - Arr. for String Quartet by Christoph Slenczka by Edward Elgar, Barbican Quartet is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mercy | Max Richter, Hilary Hahn, Cory Smythe | B♭ Minor | 0 | 3A | 91 BPM | ||
| Folk song from Hallingdal, Norway: Ingen vinner frem til den evige ro | Traditional, Tor Jaran Apold, Torgeir Kinne Solsvik | E Major | 1 | 12B | 168 BPM | ||
| The Zen Mind | Sequoia Lane | E Minor | 0 | 9A | 124 BPM | ||
| Relations: I | Philippe Paquet, Quatuor Andara | D Minor | 3 | 7A | 172 BPM | ||
| I LET GO and TRUST | Dylan John Sparkes | F Minor | 1 | 4A | 123 BPM | ||
| Comme une danse (After Tieteberga, RV 737, Sento in seno) | Antonio Vivaldi, Sonia Wieder-Atherton | E Minor | 0 | 9A | 91 BPM | ||
| Fantasia No. 1 | Helena Semanov | F Minor | 0 | 4A | 122 BPM | ||
| Milano | When A Vision Excites | F Minor | 1 | 4A | 123 BPM | ||
| Scarborough | Anonymous, Anthony Romaniuk | F Minor | 1 | 4A | 123 BPM | ||
| I'm Gonna Marry Her | Anže Rozman, Camilo Forero | C Minor | 3 | 5A | 160 BPM | ||
| Plan & Elevation: IV. The Orangery | Caroline Shaw, Attacca Quartet | A Major | 1 | 11B | 117 BPM | ||
| Renewal Of The Dead (For The Benefit Of All Beings) | Paul Willson | A Major | 2 | 11B | 78 BPM | ||
| A Safe Place | Sebastian Plano | D Major | 0 | 10B | 76 BPM | ||
| String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | F Minor | 1 | 4A | 123 BPM | ||
| Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
| From Jewish Life, B. 54: I. Prayer (Arr. Parkin for Violin, Accordion & Cello) | Ernest Bloch, Nicola Benedetti, Samuele Telari, Thomas Carroll | E Major | 1 | 12B | 112 BPM | ||
| Evocazione n.29 (Batticuore) | DAVIDE FERRO | F Minor | 1 | 4A | 123 BPM | ||
| Lula Mountain | Cellofeggio, Lu Dimon | A Minor | 1 | 8A | 128 BPM | ||
| Rideshare | Atlys | A Minor | 2 | 8A | 84 BPM | ||
| Fantasia in G Minor, Z.734 | Henry Purcell, Trio Sypniewski | F Minor | 1 | 4A | 123 BPM | ||
| Freedom Duet | John R Graham, 宮田 大 | A♭ Major | 2 | 4B | 80 BPM | ||
| Cavatine (From "The Deer Hunter") [Arr. for Cello and Piano by Henrik Dam Thomsen and Ulrich Stærk] | Copenhagen String Collective | E♭ Major | 1 | 5B | 88 BPM | ||
| Seven Portraits: IV. C | Edward Picton-Turbervill | F Minor | 1 | 4A | 123 BPM | ||
| Bruremarsj frå Beiarn (Perf. on Sheng, Viola & Double Bass) | Traditional, Wu Wei, Martin Stegner, Janne Saksala | D Major | 0 | 10B | 130 BPM | ||
| It Was Us | Challem | B♭ Major | 1 | 6B | 125 BPM |