Béla Bartók, vision string quartet, Bernhard Schimpelsberger's 'String Quartet No. 4, 2nd Movement, Percussive Dimensions' had a release date set for January 30, 2026. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. String Quartet No. 4, 2nd Movement, Percussive Dimensions's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in vision string quartet's "in the fields" album is number 4 out of 14. On top of that, Germany appears to be the country where this track was created. The popularity of String Quartet No. 4, 2nd Movement, Percussive Dimensions is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 4, 2nd Movement, Percussive Dimensions by Béla Bartók, vision string quartet, Bernhard Schimpelsberger to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Trauermusik | Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra | E Minor | 1 | 9A | 99 BPM | ||
| Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: II. Lento (Live) | Dmitri Shostakovich, Martha Argerich, Sergei Nakariakov, Alexander Verdernikov, Orchestra della Svizzera Italiana | C Major | 1 | 8B | 81 BPM | ||
| Études, Book 1: No. 2, Cordes à vide | György Ligeti, Pierre-Laurent Aimard | D♭ Minor | 0 | 12A | 135 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Sonata for 2 Pianos, FP 156: III. Andante lyrico | Francis Poulenc, Pascal Rogé, Elena Font | D♭ Major | 0 | 3B | 114 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Erinnerung, WAB 117: Erinnerung in A-Flat Major, WAB 117 | Anton Bruckner, Fumiko Shiraga | F♯ Major | 0 | 2B | 71 BPM | ||
| Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Lutosławski: Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
| Improvisations on Hungarian Peasant Songs, Op. 20, BB 83: 6. Allegro moderato, molto capriccioso | Béla Bartók, Andrew Rangell | A Major | 0 | 11B | 98 BPM | ||
| Palestinian Notebook (Excerpts): No. 3, Lullaby | Stefan Wolpe, Andrew Rangell | C Minor | 0 | 5A | 68 BPM | ||
| Du bist die Ruh, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
| String Quartet No.1, Sz.40: I. Lento | Béla Bartók, Belcea Quartet | A♭ Major | 0 | 4B | 86 BPM | ||
| String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
| Piano Sonata No. 21 in B-Flat Major, D. 960: 2. Andante sostenuto | Franz Schubert, Mitsuko Uchida | D♭ Minor | 0 | 12A | 71 BPM | ||
| 12 Romances, Op. 21: No. 5: Lilacs (Version for Piano Solo) | Sergei Rachmaninoff, Carmen Stefanescu | A♭ Major | 0 | 4B | 71 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110: III. Allegretto | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
| Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
| Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
| String Quartet in F Major, 2nd Movement | Maurice Ravel, vision string quartet | D♭ Major | 0 | 3B | 114 BPM | ||
| Préludes: I. La colombe | Olivier Messiaen, Jan Lisiecki | E Major | 0 | 12B | 68 BPM | ||
| Enescu: String Octet in C Major, Op. 7: III. Lentement | George Enescu, Quatuor Ébène, Belcea Quartet | D♭ Major | 0 | 3B | 114 BPM | ||
| DORNRÖSCHEN: Dornröschenschlaf | Radoslaw Pallarz, Ensemble Memoria Tenere | C Major | 2 | 8B | 123 BPM |