"Denza, Luigi: Si tu m'aimais!" by Luigi Denza, Franco Corelli, Franco Ferraris, Orchestra had its release date on March 23, 2009. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franco Corelli's "Icon: Franco Corelli" album is number 18 out of 73. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Denza, Luigi: Si tu m'aimais!'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Denza, Luigi: Si tu m'aimais! by Luigi Denza, Franco Corelli, Franco Ferraris, Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pomp & Circumstance, Marches #1,2,3, & 4 | Chicago Symphony Orchestra | G Major | 3 | 9B | 114 BPM | ||
| Tarantella Medley: Tarantella Napoletana (Neopolitan Tarantella) | Al Caiola | G Major | 7 | 9B | 136 BPM | ||
| Tarantella Napoletana | Orchestra Italiana Napoletana | G Minor | 9 | 6A | 149 BPM | ||
| 'O sole mio (Arr. Chiaramello for Tenor & Orchestra) | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | A Major | 3 | 11B | 135 BPM | ||
| Torna a Surriento (Come Back to Sorrento) | Mario Lanza, Ray Sinatra | E Major | 3 | 12B | 180 BPM | ||
| Oh Fortuna (Carmina Burana) | Various Artists | B♭ Major | 3 | 6B | 149 BPM | ||
| Funiculì Funiculà | Luigi Denza, Salvatore Licitra, Marco Armiliato | C Major | 3 | 8B | 134 BPM | ||
| Granada | Mario Lanza, Ray Sinatra | F Major | 4 | 7B | 84 BPM | ||
| Finiculi Finicula | Luigi Denza, Ronan Tynan | F Major | 3 | 7B | 125 BPM | ||
| Il Dolce Suono (The 5th Element) | Opera Divas | A♭ Major | 1 | 4B | 79 BPM | ||
| Bernstein / Arr. Schifrin: Around the World: America (From "West Side Story") [Live] | Leonard Bernstein, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | G Major | 4 | 9B | 96 BPM | ||
| La danza delle ore | Radio Symphony Orchestra | E Minor | 1 | 9A | 132 BPM | ||
| Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
| Nessun Dorma! | Mario del Monaco | D Major | 2 | 10B | 88 BPM | ||
| Die Zauberflöte, K. 620, Act II: No. 14, Der Hölle Rache "Queen of the Night Aria" | Wolfgang Amadeus Mozart, Erika Miklósa, Mahler Chamber Orchestra, Claudio Abbado | F Major | 1 | 7B | 71 BPM | ||
| Air On the G String | George Martin | D Major | 4 | 10B | 63 BPM | ||
| Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
| Funiculi, funicula | Luigi Denza, Harry Macdonough, Lambert Murphy, John McCormack, Reinald Werrenrath | G Major | 2 | 9B | 77 BPM | ||
| Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | ||
| Requiem, K. 626: Sequentia: Dies irae | Wolfgang Amadeus Mozart, Sir Colin Davis, Angela Maria Blasi, Marjana Lipovsek, Uwe Heilmann, Jan-Hendrik Rootering | G Minor | 4 | 6A | 80 BPM | ||
| Ballo Di Gnocchi Italiano | Bob Gerard | B♭ Minor | 8 | 3A | 138 BPM | ||
| Lakmé, Act I: Duo de las Flores | Gabriela Pochinki | B Major | 4 | 1B | 84 BPM | ||
| Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
| La Valquiria, WWV 86B: Cabalgata de las valquirias | Orquesta Filarmónica de Linz, Hermann Schmidt | B Major | 7 | 1B | 80 BPM | ||
| Die Fledermaus Waltz | Wiener Symphoniker | D Major | 5 | 10B | 132 BPM |