- BPM
- 79
- Key
- A♭ Major
- Camelot
- 4B
Il Dolce Suono (The 5th Element) by Opera Divas Song Details
"Il Dolce Suono (The 5th Element)" by Opera Divas had its release date on November 24, 2010. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Il Dolce Suono (The 5th Element)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Opera At The Movies". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Il Dolce Suono (The 5th Element) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Il Dolce Suono (The 5th Element) by Opera Divas having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 15%
- Loudness
- -15.403 dB
- Acousticness
- 99%
- Danceability
- 25%
- Energy
- 11%
- Instrumentalness
- 2%
- Liveness
- 13%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem, K. 626: Lacrimosa | Wolfgang Amadeus Mozart, Michael Finnissy, Academy of Ancient Music, Stephen Cleobury, Choir of King's College, Cambridge | D Minor | 1 | 7A | 132 BPM | |
 | Salve Regina in C Minor - Transp. in A-Flat Minor | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Minor | 0 | 12A | 82 BPM | |
 | Rigoletto, Act I: Gualtier Malde … Caro nome | Giuseppe Verdi, Maria Callas, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Major | 1 | 12B | 140 BPM | |
 | King Arthur, Z. 628: Cold song - Arr. for Voice & Piano | Henry Purcell, Théophile Alexandre, Guillaume Vincent | D♭ Major | 1 | 3B | 88 BPM | |
 | Carmina Burana: O Fortuna | Carl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Minor | 3 | 7A | 136 BPM | |
 | Giulio Cesare, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 65 BPM | |
 | Cold Song’ (What Power Art Thou...) | Henry Purcell, VOCES8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | |
 | Ai giocchi addio | Nino Rota, Luciano Pavarotti, Andrea Griminelli, The London Film Orchestra, Gavyn Wright | F Major | 3 | 7B | 171 BPM | |
 | Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud | G Minor | 1 | 6A | 166 BPM | |
 | Bésame Mucho | Consuelo Velázquez, Joseph Calleja, BBC Concert Orchestra, Steven Mercurio | G Minor | 4 | 6A | 133 BPM | |
 | Cavelleria Rusticana (Raging Bull) | Opera Divas | A♭ Major | 1 | 4B | 79 BPM | |
 | Csárdás | Vittorio Monti, Philippe Graffin, Claire Désert | D Minor | 2 | 7A | 181 BPM | |
 | Tosca, Act 2: "Vissi d'arte" | Birgit Nilsson | A♭ Major | 4 | 4B | 82 BPM | |
 | La traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 110 BPM | |
 | Caprice in A minor, Op. 1, No. 24 | Mayuko Kamio | A Minor | 2 | 8A | 171 BPM | |
 | Flower Duet (Va Vie - Scuoti Quella Fronda) | Maria Callas, Lucia Danieli | A Major | 1 | 11B | 123 BPM | |
 | Schubert Serenade | Various Artists | C Minor | 1 | 5A | 66 BPM | |
 | Madama Butterfly - Act II | Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | F♯ Major | 1 | 2B | 81 BPM | |
 | Aedeus Variations | Emma Shapplin | D Minor | 2 | 7A | 156 BPM | |
| Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM | |
 | Bizet: Carmen, WD 31, Act 1: Séguedille. "Près des remparts de Séville" (Carmen, José) | Georges Bizet, Maria Callas, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra de Paris | D♭ Major | 1 | 3B | 84 BPM | |
 | Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | |
 | La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | |
 | Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | E Major | 0 | 12B | 76 BPM | |
 | Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM |
- ISRC
- GBGVZ1011116
- Label
- L-M Records/RCA Records