Krishnaman, Rajeshwori Shrestha, Sangita Shakya's ' "Hara Hara Mahadev" was released on its scheduled release date, July 14, 1989. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Shiva Bhajan". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Norway. Hara Hara Mahadev is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Hara Hara Mahadev by Krishnaman, Rajeshwori Shrestha, Sangita Shakya having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aya Hu Maie Banjara | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Bati Sariko | Krishnaman, Gyanu Rana, Meera Rana | E♭ Major | 3 | 5B | 97 BPM | ||
| Mann Ke Anhariya | Anand Mohan, Palak, Madhukar Anand | D Minor | 7 | 7A | 80 BPM | ||
| Varalakshmi Vratham Chooda Randi | Gopi Kapurnima, Vijaya Lakshmi Sharma, Purushothama Sai, Ponduri | G Major | 5 | 9B | 151 BPM | ||
| Gangataranga (Lingastaka) | Goturi, Ajay Warriar | F Major | 3 | 7B | 149 BPM | ||
| Jai Jyotiling Mahakal Hare | Anuradha Paudwal | F♯ Major | 5 | 2B | 93 BPM | ||
| Aauchhu Prabhu Ko | Krishnaman | E♭ Major | 3 | 5B | 97 BPM | ||
| Endigaahudo Ninna | Pandit Bhimsen Joshi | E♭ Major | 2 | 5B | 126 BPM | ||
| Satya hi Shiv hai | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Nilamadhaba He | Bhikari Bal | A Major | 5 | 11B | 136 BPM | ||
| Mare Mandir Padharo Shrinathiji | Maya Deepak | A♭ Major | 5 | 4B | 170 BPM | ||
| Herda Herdai Kasari | Krishnaman, Bala Bhattarai | G Major | 4 | 9B | 88 BPM | ||
| Namma Manjunathanige | Manjula Gururaj | A Major | 4 | 11B | 118 BPM | ||
| Ananda Ananda | Manjula Prakash, K. V. Mahadevan, Vijaya Narasimha | D♭ Major | 8 | 3B | 177 BPM | ||
| Deva Deva Sadguru Deva | Bhimsen Joshi | F♯ Major | 7 | 2B | 94 BPM | ||
| Namipe Ganapane | Chandrika Gururaj | G Minor | 3 | 6A | 88 BPM | ||
| Ek Dineroi Jiban Tabu | Amrik Singh Arora | B Minor | 5 | 10A | 134 BPM | ||
| Sahajanand Sindhu Re | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 84 BPM | ||
| Bhaktarali Obbanagi | Puttur Narasimha Nayak | F♯ Major | 7 | 2B | 100 BPM | ||
| He Parmeshwar Vishwa Vidhaata Prarthana | Hari Om Sharan | C Minor | 5 | 5A | 146 BPM | ||
| Ke Bho Ke Bho | Krishnaman, Ganga Rana | F Minor | 4 | 4A | 136 BPM | ||
| Vaise tao jindagi main | Brahma Kumaris | B Minor | 1 | 10A | 125 BPM | ||
| Siudoko Sindur | Krishnaman, Maiya Prajapati | C Minor | 8 | 5A | 141 BPM | ||
| Shiter Shishir Bheja Raat | Bhupen Hazarika | B♭ Major | 3 | 6B | 133 BPM | ||
| Gajab Haathe Gujari Ne | Manhar Udhas | F♯ Major | 5 | 2B | 94 BPM |