Krishnaman, Gyanu Rana, Meera Rana's ' "Bati Sariko" was released on its scheduled release date, March 30, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Pushpanjali". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Norway. In terms of popularity, Bati Sariko is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Bati Sariko by Krishnaman, Gyanu Rana, Meera Rana having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kon Sakine Chiti Dile Pabi | Amrik Singh Arora | F Major | 5 | 7B | 140 BPM | ||
| Sri Krishna Narayana | Puttur Narasimha Nayak | A Major | 4 | 11B | 140 BPM | ||
| Vettri Vanthu Serume | Raja Rajacholan | F♯ Minor | 7 | 11A | 110 BPM | ||
| He Saranagata | Krishnaman, Gyanu Rana, Meera Rana | F Major | 5 | 7B | 126 BPM | ||
| Sajal Sajal | Bhakta Raj Acharya | C Major | 6 | 8B | 138 BPM | ||
| Namma Manjunathanige | Manjula Gururaj | A Major | 4 | 11B | 118 BPM | ||
| Baaje Mor Hridy Majhe | Sdipto Sekhar Mishra | F♯ Major | 6 | 2B | 103 BPM | ||
| Amaar Naiba Holo | Kumar Sanu | F♯ Minor | 3 | 11A | 143 BPM | ||
| Bhab Bhakti Manaya Taya | Krishnaman, Ratna Man Shrestha, Saraswoti | A Major | 5 | 11B | 107 BPM | ||
| Aami Tomay Joto - Original | Arundhati Holme Chowdhury, NA | A Major | 3 | 11B | 150 BPM | ||
| Gaanguli Mor | Malabika Mukherjee, Satinath Mukherjee | B♭ Minor | 5 | 3A | 101 BPM | ||
| Namaste Smarannye Shibe | Shankarlal Mukherjee, Birendra Krishna Bhadra | B♭ Major | 3 | 6B | 124 BPM | ||
| Ahbaab Eidat Ko Meri Aee | Ghulam Ali | G Major | 6 | 9B | 190 BPM | ||
| Guruvaara Munjaane | Ratnamala Prakash | A♭ Major | 3 | 4B | 177 BPM | ||
| Da Jamhoryat | Ahmad Zahir | B♭ Major | 9 | 6B | 84 BPM | ||
| Sri Besaveshwara Suprabhatha | P. B. Sreenivas, Bangalore Latha | G Major | 4 | 9B | 87 BPM | ||
| Gwsw Thwlaibai Thanaikhou | Gautam Brahma, Sulekha Basumatary | C Major | 5 | 8B | 89 BPM | ||
| Tumi Nirmal Karo | Haimanti Sukla | A Major | 2 | 11B | 119 BPM | ||
| Buddhi Mathu Heluthini | G. V. Atri, Kasturi Shankar, Manjula Gururaj, Gem Shiv, Puttur Narasimha Nayak, Whiva Kumar Aradhya | G Major | 7 | 9B | 149 BPM | ||
| Shri Rudrashtakam | Naynesh Jani | F Minor | 7 | 4A | 135 BPM | ||
| Himagiri Vara Baala | Parupalli Ranganath | G Minor | 6 | 6A | 83 BPM | ||
| Appenaa Rooppone Katileshwari... | Puttur Narasimha Nayak | F♯ Major | 7 | 2B | 175 BPM | ||
| Chaitali Chandini Ratey | Nazrul Geeti, Anuradha Paudwal | B♭ Major | 2 | 6B | 139 BPM | ||
| Yoger Anko Sekhali | Amrik Singh Arora | E Minor | 4 | 9A | 136 BPM | ||
| Ram Ram Bola | Krishnaman | D♭ Major | 3 | 3B | 82 BPM |