Ricardo Malerba's ' "Remembranza - Alternate Take" was released on its scheduled release date, January 9, 1935. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Remembranza - Alternate Take's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 30 in El Embrujo by Ricardo Malerba. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Remembranza - Alternate Take's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Remembranza - Alternate Take by Ricardo Malerba is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Payanca | Héctor Varela y su Orquesta Típica | E Minor | 5 | 9A | 132 BPM | ||
| Mañana Ire Temprano | Rubén Juárez, Leopoldo Federico | C Minor | 3 | 5A | 120 BPM | ||
| Igual Que una Sombra | Miguel Caló, Raul Iriarte | G Major | 2 | 9B | 126 BPM | ||
| Si nos queremos todavia | Orquesta Carlos di Sarli, Jorge Durán | C Minor | 3 | 5A | 126 BPM | ||
| Cantemos Corazon | Roberto Florio, Orquesta Carlos di Sarli | D♭ Minor | 3 | 12A | 111 BPM | ||
| Mano cruel | Orquesta Fulvio Salamanca, Jorge Garré, Armando Guerrico | F Major | 4 | 7B | 127 BPM | ||
| Corazón en Llamas | LA Sentimental | C Major | 3 | 8B | 138 BPM | ||
| A Quien Le Puede Importar | Francisco Canaro, Ernesto Fama | G Minor | 2 | 6A | 133 BPM | ||
| El Cielo y Tu | La Auténtica Milonguera | A Minor | 3 | 8A | 121 BPM | ||
| Sentimiento Gaucho | Francisco Lomuto | C Major | 3 | 8B | 138 BPM | ||
| Te Aconsejo Que Me Dejes | Anibal Troilo y Su Orquesta Típica | E♭ Major | 4 | 5B | 124 BPM | ||
| La viruta | Vicente Greco, Bandonegro | G Major | 2 | 9B | 123 BPM | ||
| Encuentro | Ricardo Malerba, Orlando Medina | C Major | 3 | 8B | 138 BPM | ||
| El gran hotel Victoria | Orquesta Juan D' Arienzo | E Major | 4 | 12B | 130 BPM | ||
| Sinfonía de Arrabal | Edgardo Donato | G Major | 3 | 9B | 119 BPM | ||
| Tristeza Marina - Remastered | Carlos Di Sarli, Roberto Rufino | B♭ Major | 5 | 6B | 117 BPM | ||
| Junto a tu corazon | Orquesta Carlos di Sarli, Alberto Podesta | B Minor | 3 | 10A | 123 BPM | ||
| Dos Corazones | Lucio Demare, Horacio Quintana | F♯ Minor | 2 | 11A | 121 BPM | ||
| Mas Solo Que Nunca | La Auténtica Milonguera | C Minor | 6 | 5A | 147 BPM | ||
| Oigo Tu Voz | Orquesta Típica Tanturi, Hugo Araujo | D♭ Major | 2 | 3B | 148 BPM | ||
| Embrujamiento | Ricardo Malerba | C Major | 3 | 8B | 138 BPM | ||
| Cuatro Recuerdos | Ricardo Tanturi, Enrique Campos | A Minor | 9 | 8A | 114 BPM | ||
| Al compras del corazon | Domingo Federico | G Major | 3 | 9B | 121 BPM | ||
| Milonga del Uruguay | Donato Racciatti y Su Orquesta Típica | E Minor | 6 | 9A | 109 BPM | ||
| Noches de Montmartre | Ricardo Malerba | C Major | 3 | 8B | 138 BPM |