Rohini Patel's ' "Partham Pela Samariye" was released on its scheduled release date, December 27, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Pagran". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. In terms of popularity, Partham Pela Samariye is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Partham Pela Samariye by Rohini Patel having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aaj Mare Orde Re Aavya Avinashi Albel-Pad 03 | Hemant Joshi, Gurukul Balvrund | D♭ Minor | 5 | 12A | 142 BPM | ||
| O CHMPARAN NA MALIK RE | Nidhi Dholkiya | F Major | 5 | 7B | 126 BPM | ||
| Wo Parvraj Daslakshan Hain | Roopesh Jain, Ankur Jain Ank | G Major | 5 | 9B | 84 BPM | ||
| Aaj Vagdavo Ruda Sharnayu Ne Dhol | Lalita Ghodadra | F Major | 8 | 7B | 145 BPM | ||
| Jay Jay Giriraj Kishori-Gauri Chopai | Trupti Dave | G Major | 4 | 9B | 129 BPM | ||
| Joyu Joyu Me Virpur | Sanjay Ojha, Meena Patel | B Major | 5 | 1B | 80 BPM | ||
| Mohan Muralidhara | Sachin Llimaye | D♭ Minor | 4 | 12A | 96 BPM | ||
| Vishwambhari Akhil Vishwa Tani - Stuti | Koras | C Major | 4 | 8B | 143 BPM | ||
| Radhe Radhe Mann Bole | Vikram Hazra | C Minor | 4 | 5A | 101 BPM | ||
| Aj Mare Orde Re | Sadhu Krushnapriyadas, Sadhu Akshareshdas | F Minor | 8 | 4A | 118 BPM | ||
| Radhaji Na Dadaji Ae | Master Rana | B♭ Minor | 6 | 3A | 110 BPM | ||
| Hira Moti Sona Chandi Naam Che Jalaram Jogi | Farida Mir | E♭ Minor | 7 | 2A | 80 BPM | ||
| JAI JAI GIRIVAR RAJ KISHORI... | Janki Bharadia | F Minor | 3 | 4A | 151 BPM | ||
| O Karuna Na Karnara | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | B♭ Minor | 5 | 3A | 107 BPM | ||
| Chale Hanuman | Shri Prakash Gossai | A♭ Minor | 4 | 1A | 157 BPM | ||
| CHARNE RAKHO SARNE RAKHO | NIDHI DHOLKIYA-NITIN DEVKA | F Major | 6 | 7B | 94 BPM | ||
| Asmani Rangni Chundadi Re | Appu, Suchita Vaz, Nila | F Minor | 9 | 4A | 144 BPM | ||
| Madi Ashapura Ne | Master Rana | F Minor | 6 | 4A | 68 BPM | ||
| Bhajan Karva Me Bolavyo | Rohini Patel | F♯ Major | 7 | 2B | 144 BPM | ||
| Dwarkadhish Ni Aarti - Original | Kaushik Bharwad, NA | F♯ Major | 6 | 2B | 85 BPM | ||
| Hu Kai Gando Nathi Re Hu Kai Ghelo Nathi Re - Original | Jignesh Dada, NA | A♭ Major | 6 | 4B | 110 BPM | ||
| Gokuliyo Gam | Atul Purohit | E♭ Major | 3 | 5B | 123 BPM | ||
| Saraswati Arti | Vishal Khera | E♭ Major | 6 | 5B | 97 BPM | ||
| Uth Jaag Musafir Bhor Bhayee | Vishal Khera | B♭ Minor | 9 | 3A | 95 BPM | ||
| Hendne Sori Mehona Gaam Maa | Jagoji Thakor, Vatsala Patil | G Major | 7 | 9B | 119 BPM |