"Takemitsu: 雨の樹 素描" by 武満 徹, Yuki Kurashima, 北東ドイツフィルハーモニー管弦楽団 had its release date on November 22, 2006. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 献呈, so we believe that "Takemitsu: 雨の樹 素描" is a single. Takemitsu: 雨の樹 素描 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Takemitsu: 雨の樹 素描 by 武満 徹, Yuki Kurashima, 北東ドイツフィルハーモニー管弦楽団 is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Flute Orchestra | Toru Takemitsu | A♭ Minor | 1 | 1A | 73 BPM | ||
| Orpheus - Ballet in 3 Scenes / 1st scene: Introduction | Igor Stravinsky, Orpheus Chamber Orchestra | B♭ Major | 3 | 6B | 97 BPM | ||
| The Threepenny Opera, Act II: Pollys Lied (Arr. for Piano by Florian Noack) | Kurt Weill, Florian Noack | B Minor | 0 | 10A | 110 BPM | ||
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | ||
| Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato | Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | A Minor | 1 | 8A | 92 BPM | ||
| Vers la source dans le bois | Marcel Tournier, Judy Loman | E Major | 1 | 12B | 115 BPM | ||
| Tansman: Musique de cour d'après Robert de Visée: VII. Air | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 95 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | G Major | 2 | 9B | 134 BPM | ||
| Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
| Belshazzar's Feast, JS 48: Prelude. Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | G Major | 2 | 9B | 98 BPM | ||
| Preludes: Le nombre leger (The Light Number) | Olivier Messiaen, Håkon Austbø | B Major | 1 | 1B | 68 BPM | ||
| Loutky (Puppets), H. 92: No. 1, Pierrotovo zastavenicko [Pierrot's Serenade] | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
| Rothko Chapel 5 | Morton Feldman | A Minor | 0 | 8A | 69 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| Debussy: Syrinx, CD 137, L. 129 | Emmanuel Pahud | A♭ Major | 0 | 4B | 65 BPM | ||
| Fratres (Version for Wind Octet & Percussion) | Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts | A♭ Major | 2 | 4B | 78 BPM | ||
| Nocturne in F Minor "La séparation" | Mikhail Glinka, Alexei Lubimov | F Minor | 0 | 4A | 100 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Ravel: Berceuse sur le nom de Fauré, M. 74 | Maurice Ravel, Jean-Jacques Kantorow, Jacques Rouvier | G Major | 2 | 9B | 134 BPM | ||
| Piano Concerto No. 3, Sz. 119: II. Adagio religioso | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| Asturiana - I | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
| The Viola in My Life III | Morton Feldman, Antoine Tamestit, Paulo Alvares | D♭ Major | 0 | 3B | 66 BPM | ||
| String Quartet No. 4, 3rd Movement | Béla Bartók, vision string quartet | G Major | 2 | 9B | 134 BPM |