Orpheus - Ballet in 3 Scenes / 1st scene: Introduction by Igor Stravinsky, Orpheus Chamber Orchestra Song Details

Igor Stravinsky, Orpheus Chamber Orchestra's 'Orpheus - Ballet in 3 Scenes / 1st scene: Introduction' had a release date set for January 1, 1999. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Orpheus - Ballet in 3 Scenes / 1st scene: Introduction's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Stravinsky: Orpheus; Danses concertantes". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Orpheus - Ballet in 3 Scenes / 1st scene: Introduction is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

With Orpheus - Ballet in 3 Scenes / 1st scene: Introduction by Igor Stravinsky, Orpheus Chamber Orchestra having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 7%
Loudness: -19.943 dB
Acousticness: 90%
Danceability: 63%
Energy: 26%
Instrumentalness: 95%
Liveness: 10%
Loudness: 67%
Speechiness: 11%
Valence: 26%

Recommendations

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Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio	Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik	E♭ Minor	3	2A	60 BPM
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Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto	Béla Bartók, Berliner Philharmoniker, Herbert von Karajan	G Major	3	9B	121 BPM
The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	C Major	7	8B	91 BPM
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The Rite of Spring, K15, Pt. 2: XIV. Sacrificial Dance	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	B Minor	0	10A	86 BPM
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Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]	Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	E Major	2	12B	123 BPM
Symphony No. 2 in D Major, Op. 43: I. Allegretto	Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle	D Major	1	10B	117 BPM
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Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	B♭ Major	1	6B	153 BPM
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Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM
Chamber Symphony No. 5 in A-Flat Major, Op. 118a: II. Allegretto furioso	Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal	D♭ Major	0	3B	78 BPM
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus	Olivier Messiaen, Lucas Debargue	E Major	0	12B	76 BPM
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts	Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas	E♭ Major	1	5B	91 BPM
Aladdin Suite, Op. 34, FS 89: VI. Dance of the Prisoners	Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen	E Minor	2	9A	107 BPM