Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan's ' "The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring" was released on its scheduled release date, May 3, 2024. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Herbert von Karajan, Igor Stravinsky, Franz von Suppé, Pyotr Ilyich Tchaikovsky's "Karajan A-Z: Stravinsky - Tchaikovsky" album is number 20 out of 185. On top of that, Germany appears to be the country where this track was created. In terms of popularity, The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring by Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Petrushka: Danse Russe | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: II. Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Don Quixote, Op. 35: XIV. Finale. The Death of Don Quixote. Sehr ruhig | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
| Transfigured Night, Op. 4 (Version for String Orchestra): Pesante - Grave | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | E Major | 0 | 12B | 73 BPM | ||
| Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55: II. Andantino semplice - Prestissimo - Tempo I - Live at Philharmonie, Berlin | Pyotr Ilyich Tchaikovsky, Evgeny Kissin, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 80 BPM | ||
| The Planets Suite, Op. 32: III. Mercury | Gustav Holst, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Neville Creed | D Minor | 1 | 7A | 125 BPM | ||
| Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | E Major | 3 | 12B | 141 BPM | ||
| Die Walküre, WWV 86B / Act III: "Hojotoho! Heiaha!" | Richard Wagner, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 93 BPM | ||
| Don Giovanni, K. 527: Overture | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 133 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
| La mer, CD 111: II. Jeux de vagues | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 114 BPM | ||
| Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 96 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 83 BPM | ||
| Montgomery Variations: Montgomery Variations: I. Decision | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 1 | 7A | 82 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
| Samson et Dalila, Op. 47: Bacchanale | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | D Minor | 3 | 7A | 134 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 55 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
| Japanese Suite, Op. 33, H. 126: I. Prelude. Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Das Rheingold: Prelude | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 68 BPM |