- BPM
- 130
- Key
- A Major
- Camelot
- 11B
Cutscene - Divine Intervention by London Symphony Orchestra Song Details
"Cutscene - Divine Intervention" by London Symphony Orchestra had its release date on December 13, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 87 in the song's album "Sonic Forces Original Soundtrack A Hero Will Rise". In this album, this song's track order is #15. Based on our statistics, Cutscene - Divine Intervention's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Cutscene - Divine Intervention by London Symphony Orchestra having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 12%
- Loudness
- -13.595 dB
- Acousticness
- 1%
- Danceability
- 47%
- Energy
- 73%
- Instrumentalness
- 88%
- Liveness
- 7%
- Loudness
- 77%
- Speechiness
- 13%
- Valence
- 8%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Theme From Schindler's List | John Williams, Itzhak Perlman, Boston Symphony Orchestra | D Minor | 1 | 7A | 99 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | |
 | Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 14, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 78 BPM | |
 | Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | |
 | Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | |
 | Serenade in B flat, K.361 "Gran partita": 3. Adagio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner | E♭ Major | 4 | 5B | 89 BPM | |
 | Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | |
 | Duel of the Fates | John Williams, London Symphony Orchestra | D Major | 4 | 10B | 80 BPM | |
 | Fur Elise | London Symphony Orchestra | A Minor | 0 | 8A | 82 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzando | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 135 BPM | |
 | Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | |
 | Peer Gynt Suite N°2, Op. 55: IV. Solveig's Song | London Symphony Orchestra | E Minor | 1 | 9A | 83 BPM | |
 | Also sprach Zarathustra, Op. 30: Sonnenaufgang | Richard Strauss, Fritz Reiner, Chicago Symphony Orchestra | C Major | 1 | 8B | 76 BPM | |
 | The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | |
 | Requiem, K. 626: Lacrimosa | Wolfgang Amadeus Mozart, Michael Finnissy, Academy of Ancient Music, Stephen Cleobury, Choir of King's College, Cambridge | D Minor | 1 | 7A | 132 BPM | |
| Blue Danube Waltz | London Symphony Orchestra | D Major | 1 | 10B | 180 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | |
 | Requiem: II. Dies irae "Dies irae" | Giuseppe Verdi, London Symphony Orchestra, Gianandrea Noseda, London Symphony Chorus | C Minor | 3 | 5A | 91 BPM | |
 | William Tell Overture | Arthur Fiedler, Gioachino Rossini, Boston Pops Orchestra | G Major | 3 | 9B | 82 BPM | |
 | Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | |
 | Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Paavo Jarvi, Orchestre Philharmonique de Radio France | C Minor | 2 | 5A | 179 BPM | |
 | Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | |
 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 145 BPM | |
| Fledermaus Overture | London Symphony Orchestra | A Major | 2 | 11B | 181 BPM | |
 | Holst: The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, André Previn, London Symphony Orchestra | C Major | 4 | 8B | 160 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records