London Symphony Orchestra's 'Fledermaus Overture' had a release date set for September 28, 2018. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Fledermaus Overture's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 20 in Firelight 20 Classical Masterpieces by London Symphony Orchestra. The popularity of Fledermaus Overture is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fledermaus Overture by London Symphony Orchestra is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Spartacus Suite No. 2: Adagio of Spartacus and Phrygia | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 2 | 8A | 88 BPM | ||
| Giselle: Variation I | Adolphe Adam, Michael Tilson Thomas, London Symphony Orchestra | E♭ Major | 2 | 5B | 93 BPM | ||
| Danse Bacchanale | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
| Music For The Royal Fireworks, HWV 351: IV. Allegro "La Réjouissance" | The London Symphony Orchestra & I Fiamminghi | D Major | 6 | 10B | 119 BPM | ||
| Jeux d'enfants, Op. 22: V. The Ball | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | A Major | 5 | 11B | 97 BPM | ||
| Tico Tico No Fubá | Zequinha De Abreu, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 5 | 7B | 123 BPM | ||
| Masquerade - Ballet Suite: 3. Mazurka | Aram Khachaturian, London Symphony Orchestra, Stanley Black | A♭ Major | 3 | 4B | 94 BPM | ||
| William Tell Overture - Finale - Instrumental | Gioachino Rossini, Philadelphia Orchestra, Eugene Ormandy | A Major | 6 | 11B | 151 BPM | ||
| Slavonic Dance No. 8 in G Minor, Op. 46, No. 8 | Antonín Dvořák, George Szell, Cleveland Orchestra | G Major | 4 | 9B | 165 BPM | ||
| Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
| The Flight Of The Bumble Bee | London Symphony Orchestra | E Minor | 0 | 9A | 118 BPM | ||
| Grand March from Aida (Act II, Scene 2) | Giuseppe Verdi, Philadelphia Orchestra, Eugene Ormandy | E♭ Major | 2 | 5B | 114 BPM | ||
| Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
| Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 2 | 12B | 84 BPM | ||
| Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
| Giselle - Act 2: No. 14 Scène des Wilis (Entrée d'Hilarion) | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | E Minor | 3 | 9A | 129 BPM | ||
| Rachmaninoff Symphony No. 2 | Sergei Rachmaninoff, HAUSER, Robert Ziegler, London Symphony Orchestra | E♭ Major | 3 | 5B | 77 BPM | ||
| Delirien Waltz, Op. 212 | Josef Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 97 BPM | ||
| Fledermaus Overture | London Symphony Orchestra | A Major | 2 | 11B | 181 BPM | ||
| Waltz Suite, Op. 110: VI. Happiness (From Cinderella, Op. 87) | Sergei Prokofiev, Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | D Major | 1 | 10B | 141 BPM | ||
| Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
| Sylvia: Act I: Prelude | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 61 BPM | ||
| Grande tarantelle, Op. 67, D. 66 | Louis Moreau Gottschalk, Joel Fan, Northwest Sinfonietta, Christophe Chagnard | D Minor | 1 | 7A | 146 BPM | ||
| United Nations March (Arr. Leopold Stokowski) | Dmitri Shostakovich, Matthias Bamert, BBC Philharmonic | E Major | 2 | 12B | 118 BPM |