"Rachael" by Martin Phipps had its release date on March 1, 2019. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Rachael's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Aftermath (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Rachael is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rachael by Martin Phipps having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zero Hour | Martin Phipps | F♯ Major | 1 | 2B | 70 BPM | ||
| From Paris to the Aquaduct | Peter Gregson | A♭ Major | 0 | 4B | 65 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| Valse Du Salon | Thomas Adès | D♭ Minor | 0 | 12A | 82 BPM | ||
| Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
| Lanterns | Stuart Earl | D Minor | 2 | 7A | 50 BPM | ||
| Don't Ask Me | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| Crossing | Carter Burwell | D Minor | 1 | 7A | 93 BPM | ||
| Leap Of Faith | Mark Isham | D Minor | 0 | 7A | 139 BPM | ||
| The Ghost Pavane | Christopher Young | F Minor | 0 | 4A | 109 BPM | ||
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| Head of the Family | Rupert Gregson-Williams | D Minor | 0 | 7A | 68 BPM | ||
| Where Is Our Purpose Now? | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| End Titles | Rachel Portman | E Minor | 2 | 9A | 122 BPM | ||
| My Sailor, My Love Opening | Michelino Bisceglia | G Minor | 2 | 6A | 91 BPM | ||
| The Ascension | Roque Baños | D Minor | 2 | 7A | 61 BPM | ||
| Nikolai | Martin Phipps, BBC National Orchestra Of Wales | A♭ Minor | 0 | 1A | 64 BPM | ||
| Cigar | Hannes De Maeyer, Ruben de Gheselle | B♭ Minor | 1 | 3A | 127 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| Harrison's Flowers | Cliff Eidelman | C Major | 1 | 8B | 65 BPM | ||
| Tema di Jane Eyre | Claudio Capponi, Alessio Vlad | A Major | 2 | 11B | 81 BPM | ||
| I Will Come for You | David Hirschfelder | F Major | 3 | 7B | 89 BPM | ||
| Mrs. True | Mark Isham | F♯ Major | 1 | 2B | 137 BPM | ||
| Frank The HandyMan | Rolfe Kent | A Minor | 1 | 8A | 106 BPM |