- BPM
- 82
- Key
- D♭ Minor
- Camelot
- 12A
Valse Du Salon by Thomas Adès Song Details
"Valse Du Salon" by Thomas Adès had its release date on December 14, 2018. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 26 in Colette (Original Motion Picture Soundtrack) by Thomas Adès. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Valse Du Salon is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Valse Du Salon by Thomas Adès is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 12%
- Loudness
- -24.146 dB
- Acousticness
- 96%
- Danceability
- 27%
- Energy
- 4%
- Instrumentalness
- 78%
- Liveness
- 41%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 11%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | A Thousand Tongues | Missy Mazzoli, Emily D'Angelo, Mikayel Hakhnazaryan | D♭ Minor | 2 | 12A | 73 BPM | |
 | Cello Sonata in C Major, Op. 65: III. Elegia. Lento | Benjamin Britten, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 76 BPM | |
 | The Exterminating Angel Symphony: III. Berceuse | Thomas Adès, Minnesota Orchestra, Thomas Søndergård | D♭ Major | 1 | 3B | 118 BPM | |
 | Adès: Dante, Pt. II "Purgatorio": V. The Earthly Paradise— | Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | D Minor | 4 | 7A | 78 BPM | |
 | Serenade after Plato’s Symposium for Solo Violin, Strings, Harp, and Percussion: I. Phaedrus - Pausanias. Lento - Allegro marcato | Philip Glass, Leonard Bernstein, Dennis Russell Davies, Bruckner Orchester Linz, Renaud Capuçon | C Minor | 2 | 5A | 165 BPM | |
 | Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | |
 | Choralgesänge: No. 91, Es ist genug; so nimm, Herr, meinen Geist (O Ewigkeit, du Donnerwort), BWV 60 | Johann Sebastian Bach, Alessandro Simonetto | E♭ Major | 0 | 5B | 68 BPM | |
 | 12 Nocturnes: No. 8, In Rosenblüten tanzen | Bent Sørensen, Katrine Gislinge | E♭ Major | 0 | 5B | 68 BPM | |
 | Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | |
 | Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 62 BPM | |
 | Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | |
 | Pärt: Für Lennart in memoriam | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | D Minor | 2 | 7A | 80 BPM | |
 | Piano Quartet No. 3 in C Minor, Op. 60: III. Andante | Johannes Brahms, Krystian Zimerman, Maria Nowak, Katarzyna Budnik, Yuya Okamoto | E Major | 1 | 12B | 99 BPM | |
 | Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | |
 | Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | |
 | Falla / Arr. Llobet & Pujol: 7 Canciones populares españolas: No. 5, Nana | Thibaut García, Edgar Moreau | A Minor | 0 | 8A | 50 BPM | |
 | 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | |
 | A Sutured World: I. Take This Broken Wing... - Live | Liza Lim, Bavarian Radio Symphony Orchestra, Nicolas Altstaedt, Edward Gardner | D Major | 2 | 10B | 104 BPM | |
 | Three Bach Transcriptions: Chorale "Agnus Dei" from Mass in B Minor | Johann Sebastian Bach, Simone Dinnerstein | C Major | 0 | 8B | 138 BPM | |
 | Martinů: Film en miniature: No. 3, Berceuse | Bohuslav Martinů, Bertrand Chamayou | A♭ Major | 0 | 4B | 175 BPM | |
 | On an Overgrown Path, Series I: The Barn Owl Has Not Flown Away! | Leoš Janáček, Thomas Adès | A♭ Minor | 0 | 1A | 76 BPM | |
 | Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM | |
 | Cello Sonata: I. Dialogo | György Ligeti, Miklós Perényi | D Minor | 2 | 7A | 79 BPM | |
 | Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | E♭ Major | 0 | 5B | 68 BPM | |
 | Martynov: "Come in!", Movement II | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 82 BPM |
- ISRC
- USLS51835203
- Label
- L-M Records/RCA Records