"Violin Concerto: III. Romance Without Words" by Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier had its release date on May 16, 2006. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Violin Concerto: III. Romance Without Words's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Rorem: Violin Concerto - Flute Concerto - Pilgrims". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. Violin Concerto: III. Romance Without Words is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto: III. Romance Without Words by Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
| Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | ||
| Pas des ésharpes, Op. 37 | Cécile Chaminade, Eric Parkin | A♭ Major | 0 | 4B | 139 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Elegy | Alla Pavlova, Andrei Korobeinikov, Moscow Radio Tchaikovsky Symphony Orchestra, Vladimir Ziva | D♭ Major | 1 | 3B | 139 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Schumann: Kinderszenen, Op. 15: No. 12, Kind im Einschlummern | Robert Schumann, Jonathan Biss | E Major | 0 | 12B | 77 BPM | ||
| Adagio and Allegro in A Flat Major, Op. 70: I. Langsam, mit innigem Ausdruck | Robert Schumann, Kian Soltani, Aaron Pilsan | A♭ Major | 0 | 4B | 84 BPM | ||
| Romance for Cello & Piano, RT VIII/5 | Frederick Delius, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 94 BPM | ||
| Nocturne, Op. 33 | Samuel Barber, Isata Kanneh-Mason | A♭ Major | 1 | 4B | 97 BPM | ||
| 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM | ||
| Two Songs Without Words, Op. 22: I. Country Song | Gustav Holst, Richard Hickox, City of London Sinfonia | G Major | 0 | 9B | 82 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Tema con Variaciones para Orquesta, Op. 2: I. Tema Andante | Julián Carrillo, Orquesta Sinfónica de San Luis Potosí, José Miramontes Zapata | D Major | 1 | 10B | 102 BPM | ||
| Ma mère l'oye, M. 62: Apothéose. Le jardin féerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 62 BPM | ||
| Elgar: Carissima (Version for Violin and Piano) | Edward Elgar, Vilde Frang, Thomas Hoppe | G Major | 0 | 9B | 104 BPM | ||
| Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | G Major | 0 | 9B | 91 BPM | ||
| V. Louange à l'Éternité de Jésus | Olivier Messiaen, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
| 3 Romances, Op. 22: 1. Andante molto | Clara Schumann, Janine Jansen, Antonio Pappano | D♭ Major | 1 | 3B | 74 BPM | ||
| Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 87 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Trauermusik | Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra | E Minor | 1 | 9A | 99 BPM | ||
| 5 Preludes: No. 4, Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 76 BPM |