Count Basie's 'The Blues Done Come Back' had a release date set for January 1, 1953. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 10 in Dance Session by Count Basie. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Blues Done Come Back is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Blues Done Come Back by Count Basie is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The One I Love | Frank Sinatra, Tommy Dorsey Orchestra | F Major | 2 | 7B | 116 BPM | ||
| Easy Living | Bob Howard | A♭ Major | 1 | 4B | 137 BPM | ||
| As Times Goes By | Teddy Wilson | A♭ Major | 3 | 4B | 91 BPM | ||
| You Must Have Been a Beautiful Baby | Warren Vaché, Brian Lemon | C Major | 1 | 8B | 99 BPM | ||
| Putting on the Ritz | Mel Tormé | F♯ Major | 2 | 2B | 145 BPM | ||
| Catch a Falling Star (with Mitchell Ayres and His Orchestra & The Ray Charles Singers) | Perry Como, Mitchell Ayres & His Orchestra, The Ray Charles Singers | D♭ Major | 1 | 3B | 118 BPM | ||
| Scotch & Soda | Lou Rawls | G Minor | 4 | 6A | 109 BPM | ||
| Shiny Stockings | Count Basie | F Minor | 3 | 4A | 118 BPM | ||
| Mack the Knife | Louis Armstrong | C Major | 4 | 8B | 89 BPM | ||
| Let's Fall In Love | Ann Hampton Callaway | A♭ Major | 3 | 4B | 137 BPM | ||
| Sing, Sing, Sing (Parts 1 & 2) | Benny Goodman | A Minor | 5 | 8A | 119 BPM | ||
| Summertime | Charlie Parker | G Minor | 3 | 6A | 133 BPM | ||
| Don't Get Around Much Anymore | Duke Ellington | B♭ Minor | 3 | 3A | 96 BPM | ||
| Where Or When | Etta Jones | C Major | 3 | 8B | 119 BPM | ||
| It Had to Be You | Jo Stafford | D♭ Major | 1 | 3B | 120 BPM | ||
| Blue And Sentimental | Catherine Russell | A♭ Major | 7 | 4B | 90 BPM | ||
| What A Wonderful World | Louis Armstrong | F Major | 2 | 7B | 77 BPM | ||
| You Always Hurt The One You Love - 1958 version | The Mills Brothers | G Minor | 1 | 6A | 139 BPM | ||
| Midnite Blue | Count Basie | A♭ Major | 1 | 4B | 83 BPM | ||
| That's Amore | Dean Martin | B♭ Major | 2 | 6B | 158 BPM | ||
| Blue And Sentimental - 1947 Version | Nat King Cole Trio | A♭ Major | 0 | 4B | 130 BPM | ||
| 11 30 PM | Kitty Kallen | F Major | 4 | 7B | 121 BPM | ||
| Birk's Works | Dizzy Gillespie and His Big Band | A Minor | 2 | 8A | 122 BPM | ||
| Moanin' | Art Blakey & The Jazz Messengers | F Minor | 5 | 4A | 126 BPM | ||
| You've Got That Thing | Bobby Short | B♭ Major | 4 | 6B | 151 BPM |